Saw X marks the tenth installment in the long-running horror franchise, as well as the third soft reboot in just six short years. Yet…
Irish poet and playwright W.B. Yeats once wrote, “It is love that I am seeking for, but of a beautiful, unheard-of kind that is…
Photography is the first sign that Soi Cheang’s Limbo is different from the director’s past work. Though his return to Hong Kong was bound…
In C.J. Obasi’s latest film, the small, relatively isolated village of Iyi is overseen by Mama Efe (Rita Edochie), the group’s intermediary who lives…
One way to discuss the content era we find ourselves in is to frame “content” as the antithesis of true “art.” The latter serves…
It’s almost October, which means Cozy Anderson Autumn is officially upon us. While 2009’s The Fantastic Mr. Fox was a joyous animated heist movie…
Much has been written over the last few years of how the limited dramatic series has eroded the market for the mid-sized, adult-themed, star-driven…
Setting aside the relative quality of the movie itself, Gareth Edwards’ tech-heavy sci-fi epic The Creator is notable at the very least for not…
The most buzzed-about title at this past January’s Sundance (accompanied by an astonishing $20 million acquisition from Netflix), Chloe Domont’s Fair Play has been…
Patricia Mazuy, now six films deep in a three-decade-plus career with Saturn Bowling, has always risked a certain, tantrum-centric filmmaking, favoring characters with shared…
Bishal Dutta’s It Lives Inside begins on an appropriately ominous note; the camera prowls down a dark hallway, blood-splattered on walls and bodies lying…
Film is a collection of stills, yet rarely is film still; in the empire of the moving image, action and reaction reign supreme. But…
Sporting an overly cutesy and clever-aspiring title that confounds as much as it explains, Expend4bles marks the fourth film in the long-in-the-tooth action franchise…
Sebastien Marnier’s latest breezy, twisty thriller The Origin of Evil may lack any deeper interrogation in its Agatha Christie-reinvention of deception, but its strong…
As climate change continues its steady march toward apocalyptic crescendo, its devastating effects are becoming more and more visible. In 2022, the United States…
Already an acclaimed editor on films such as Carlos Reygadas’ Silent Light & Post Tenebras Lux and Lisandro Alonso’s Jauja, as well as an…
Director Kiohara Yui’s last feature, Our House — which debuted in 2017, and which this writer briefly reviewed here at InRO when it played…
Back in 2006, five years after 9/11, the question of when enough time had passed for Hollywood to grapple with a national tragedy was…