Only a few minutes into his A Hundred Thousand Billion, 48-year-old French filmmaker Virgil Vernier (Mercuriales, Sophia Antipolis) presents to viewers a gang of…
One of the more compelling elements of the crime film occurs when a seemingly normal person gets roped into a series of illicit acts…
Pilgrims, Laurynas Bareiša’s previous feature, was an accomplished debut that explored a man’s inability to move past the senseless killing of his brother. It…
For theists, the problem of evil has presented a nagging counterpoint to unchallenged belief in God, though sometimes it is precisely the challenge of…
The most emotionally and spiritually invigorating faith-based films rely not on proselytization or condemnation, but on abstraction. Their dramatic force comes from their characters’…
Contemporary Georgian cinema is hard to pin down. Recent years’ most notable examples prove native talent expresses itself in disparate ways. The familiar, coming-of-age…
Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider, may have felt a tension…
In the last 10 or 15 years, the micro-universe that we call the experimental film world has made a decisive shift toward a form…
Despite his increasing arthouse acclaim, Radu Jude has never been associated with a distinct stylistic stamp; indeed, he has long flitted between various formalist…
Death Will Come, German director Christoph Hochhäusler’s latest feature (and first French-language production), follows a contract killer, Tez (Sophie Veerbeck), who is hired by…
For a certain type of documentary, intimate access to one’s subject is a double-edged sword. Leila Amini’s debut film is a close look at…
About halfway into Courtney Stephens’ new film Invention, a lawyer (filmmaker James Kienitz Wilkins) tells our protagonist, Carey (Callie Hernandez, co-screenwriter with Stephens), that…
There’s a good chance you’ve never heard of André Forcier, the writer-director of the new comedy Ababooned. But he is actually one of the…
The modern straight white male, as an ideal, is an emasculated species: living under cosmopolitan values with none of its urbane anachronisms, he knows…
In Alice Lowe’s first feature since Prevenge in 2016, which announced the actress and writer as a talented director to boot, we are witness…
Every now and then, it seems, a genre film with an especially topical message enters the discursive fray to stimulate debate, provoke reaction, and…
Anyone who follows any artform closely — in this case, cinema, but it’s equally true for music, painting, sculpture, literature, what have you —…
Genre fare has sunk to new depths with The Dead Thing, Elric Kane’s first solo-directed feature — and an enervating one at that. There’s…