Locked Down wants to be the film of this pandemic moment but is instead tiresomely repetitive, tonally chaotic, and already outdated. A January 6th puff…
Wonder Woman 1984 is bloated at 151 minutes, but the chemistry of its leads and throwback hokey vibes are enough to recommend its particular superhero…
Greenland does well to focus on its human center rather than CGI spectacle, but its pleasures remain mostly minor. The disaster film is a genre…
Despite its misguided ending, Let Them All Talk remains a refreshingly open-ended and low-stakes pleasure. In the past decade, Adam Sandler has been regularly…
Superintelligence undermines its innocuous silliness and any potential rom-com aspirations with needlessly complicated stakes and a fixation on its own high concept. There’s a genuinely…
Between the World in Me capitalizes on the power and poetry of Ta-Nehisi Coates’ words but contributes considerably less as a visual document. Published in…
The Witches isn’t immune to some familiar children’s cinema pratfalls, but its hyperactive energy and Zemeckian set pieces keeps things mostly singing. Robert Zemeckis’ 40-odd-year…
American Utopia provides a brief respite from reality and leaves the viewer hopeful for what’s to come. In the midst of the annus horribilis…
Coastal Elites is a tone-deaf and formally lazy film that ignores issues of substance in favor of a facile call for civility. Anyone concerned that…
An American Pickle doesn’t aspire to much more than delivering two Rogens for the price of one. “Sweet” and “gentle” are two unlikely descriptors with…
Quentin Dupieux’s latest delivers the expected outlandishness but won’t live long in viewers’ memories. The life of a sociopath is laid bare in Quentin Dupieux’s…
Ever since Eve’s Bayou, Kasi Lemmons has foregrounded the need for black adolescents to realize the importance of their influence and existence in a society fundamentally…
Diego Maradona, Asif Kapadia’s latest film, is entirely comprised of archival footage, most of which comes from Italian news sources that preyed upon the…
Birds of Passage, Ciro Guerra and Cristina Gallego’s latest collaborative effort (previously a producer, Gallego serves as co-director here) finds the duo continuing their…