The Ice Road doesn’t trust the straightforward formula of its actioner origins, needlessly complicating things to its detriment. It’s 2021 and the Liam Neeson Action…
Fatherhood isn’t going to be remembered as a comedy classic, or much at all, but given its rocky road to release, it could have been much…
Awake is more likely to put viewers to sleep than scratch any genre film itch. In Awake, Netflix’s latest high-concept thriller, Gina Rodriguez stars as Jill,…
Ghost Lab works as a bit of weirdo fun for a while, but the film’s playful tone is obliterated halfway through and never recovers. At…
All cinematic technique that makes Snyder a fanboy favorite feels sorely missing in the bloated, ugly Army of the Dead. Recovering from what must have…
The Woman in the Window neither takes advantage of its unique setting nor matches the nuance of its Rear Window inspiration, rendering the whole thing fairly empty-headed.…
Oxygen’s high concept unfortunately hampers Aja’s ability to impress much on either a visual or narrative level. Seriously erratic genre auteur Alexandre Aja is back.…
Monster is a messy, crude, and politically flaccid throwaway flick that probably should have just stayed on the shelf. Premiering at Sundance in 2018 to no…
While The Mitchells vs. the Machines doesn’t live up to obvious touchstone The Incredibles, it rides its own humorous and referential wavelength to mild success. While…
Things Heard and Seen might not thrill horror purists, but its terror-flecked study of domesticity and religion both recalls genre giants and remains mostly fresh.…
The Disciple’s diptych structure creates a mature, nuanced portrait of the weight of personal and professional compromise. Sharad Nerulkar — the titular disciple in Chaitanya…
Stowaway suffers from a contrived script and poor character-building, but works considerably better when maximizing its budget in service of action spectacle. A three-person mission…
Ride or Die is overlong, fails to believably sell its central relationship, and ill-advisedly resolves with a bit male gaze exploitation. Whatever the many other…
Night in Paradise scans like any number of slow-burn gangster flicks, but suffers for lack of originality in both its action and drama. Park Hoon-jung’s…
Thunder Force is yet another high-concept comedy collab between McCarthy and Falcone that fails at, well, being funny. On its surface, a film like Thunder…
Mamade Claude isn’t much more than shallow period dress-up and empty provocation. Set, for the most part, in the final tumultuous years of the Swinging…
Concrete Cowboy features a pair of solid performances and a sleek visual design, but suffers under the weight of its paint-by-numbers approach to narrative. Set…
Bad Trip fulfills its minimum obligation to produce a baseline number of laughs, and does very little else. Bad Trip is yet another casualty of…
For better or worse, Yes Day is essentially what you expect it to be: a sweet, sitcom-styled family comedy. The new Netflix family comedy Yes…
Sentinelle isn’t Leclercq’s best work, but it’s a gritty, nuts-and-bolts actioner in its own right. Netflix has a tendency to push a few high-profile titles every…
Moxie boasts a surprisingly lush visual design, but its soft script and weak character development leaves a lot to be desired. Adapted from Jennifer Mathieu’s 2017…