All We Imagine As Light “This city takes time away from you,” says one of the seven disembodied voices introducing us to the wide-awake-at-night…
Víctor Erice’s Close Your Eyes opens to a beautiful autumnal scene of the French countryside in 1947: an old fictional mansion (called “Triste le…
A mother and daughter’s symbiotic bond fuels the artistic crucible that underlies Janet Planet. Such a description, let alone the title, might indicate a…
“You were to suffer your fate. That was not necessarily to know it.” So declares May Bartram to John Marcher, both doomed lovers of…
Chinese-Korean director Zhang Lu has been a bit of a slow burn in the West. Despite having directed 12 feature films since 2003, only…
Writing about Ryuichi Sakamoto | Opus is a challenge, not least because of its stark minimalism. I can’t recall a concert film as ascetically…
A lush, elemental reckoning unfurls across the relatively condensed runtime of Felipe Gálvez Haberle’s debut, The Settlers, even if few of its proceedings strictly…
More than almost any other director, the methods of Michael Mann’s filmmaking have always matched its meanings, and his characters are defined by their…
We’ve just passed the one-year anniversary of Jean-Luc Godard’s death via assisted suicide. Those closest to him suggested his advanced age and ailing health…
Alice Rohrwacher’s cinema occupies a unique place in the festival landscape, part pleasingly familiar and part bracingly daring, especially in the context of her…
When the 2018 remake of old Hollywood standby A Star is Born dropped, it marked the culmination of over a decade’s worth of effort…
Maestro When the 2018 remake of old Hollywood standby A Star is Born dropped, it marked the culmination of over a decade’s worth of…
After dipping his toes in the waters of English-language filmmaking, Yorgos Lanthimos makes his return to his Greek roots with Bleat, inviting a cadre…
A 32-minute queer cowboy melodrama paid for by Yves Saint Laurent, Strange Way of Life is Pedro Almodóvar’s second English-language short and, like The…
Strange Way of Life A 32-minute queer cowboy melodrama paid for by Yves Saint Laurent, Strange Way of Life is Pedro Almodóvar’s second English-language…
We Don’t Talk Like We Used To, the title of Joshua Gen Solondz’s latest film, has a few potential meanings to account for. The…
The Eternal Daughter “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed,…
Showing Up Despite the steady repetition of themes that define Kelly Reichardt’s filmography (alienation, class, gender, the American West), her output has remained surprisingly…