Triangle of Sadness vacillates between slight but sly commentary and outright gaudiness, but an enigmatic, delightfully bathetic ending ushers Östlund’s film out on a high…
Heinz Emigholz opens his latest, Slaughterhouses of Modernity, with a voice. This would have normally been shocking as Emigholz’s austere “Photography and Beyond” series…
Walk Up Walk Up is Hong Sang-soo’s trickiest film since The Day After (2017), and his most intricately structured effort since The Day He…
The New York Film Festival officially kicks off today, and as per usual, the slate reflects careful, considered programming from the team, curating a…
Huang Ji is among the last handful of Chinese directors to sneak through the portal distribution company dGenerate Films, the center of an important…
There’s a relaxed tone to Alessandro Comodin’s The Adventures of Gigi the Law — one that’s so lackadaisical the film often threatens to stall…
Bouncing back from two years worth of Covid-related disruption while still riding out some major switch-ups and art direction, the Locarno Film Festival returned…
A favorite at Cannes for several years now, self-styled arthouse rockstar Albert Serra has had a dependable home at the festival since his (narrative)…