The Killers Between Wes Anderson’s The French Dispatch, the seemingly never-ending V/H/S franchise, and even Yorgos Lanthimos’ Kinds of Kindness, which premiered at the Cannes…
He Thought He Died Before He Thought He Died (2023), a friend spoke on his misgivings about 88:88 (2016), Isaiah Medina’s hitherto best-known film, echoing…
The late Chinese, Tibetan minority filmmaker Pema Tseden is no stranger to the Western international film festival circuit (which is also the case for many…
The Hollywood machine may be pumping its brakes right now — with an ever-growing list of release date delays announced across the next month and…
The sixth feature film from Pema Tseden is a dream-inflected, almost Rashomon-like take on a road movie that uses the barren hills of the Kekexili…
Tseden’s latest is a clever indictment of the ways that both religion and government seek to deny women their due agency. Tibetan director Pema Tseden’s artistic…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Our sixth dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, our third, our fourth, our fifth) offers an eclectic mix…
The 18th annual New York Asian Film Festival ended on Sunday, and we’ve prepared one dispatch from the festival this year, with some notable titles:…