Jon Hamm and Tina Fey, two of the most beloved television actors of the 21st century, have been orbiting each other for so long that…
Even given its obvious vanity vehicle motivations, Poker Face is a dire affair. Russell Crowe returns to the director’s chair for Poker Face, an unwieldy, overstuffed,…
Jeepers Creepers: Reborn is an inane and butt-ugly franchise continuation that delivers exactly nothing to the hordes of nobody who asked for it. Jeepers Creepers: Reborn…
The Immaculate Room is a poorly paced and thematically shallow film that bludgeons each and every one of its talking points to death. In premise alone,…
The Nan Movie aspires to recreate old sensations, but spills out as a shadow of its former self. Whither, the British comedy? Once, this land…
Cordelia engages as an exercise in tension for a while, but is utterly undone by a slogging climax that opts for conceptual indulgence and dank metaphor.…
Monstrous is the latest metaphor-heavy Babadook knockoff that viewers could do without. Imagine, for one brief moment, if the man behind the infamous 2007 Lindsay…
9 Bullets is a startlingly bad film, one that struggles to reach even basic competence in any individual or collective regard. In his recent book Why…
Stoker Hills is Exhibits A, B, and C in the case against modern found-footage films. Director Benjamin Louis’s thriller Stoker Hills opens in an anonymous…
Black Friday comes loaded with potential, but ends up roughly as enjoyable as visiting a Wal-Mart on the titular holiday. Casey Tebo’s Black Friday, a horror-comedy…
Long Promised Road’s focus on Wilson’s present day adds dimension to his story, adding resonant beats to a beloved old tune. Brian Wilson, the singer-songwriter…
One Shot employs its titular gimmick to no discernible value, but its actioner bona fides offer top-notch DTV thrills. Over the course of the last decade…
Naked Singularity is generic as a heist film and barely-conceived as science fiction, leaving almost nothing here to care about. Just about as unexciting as a…
It’s nice to see Fox back in the horror saddle, but Till Death’s stronger elements too often fall victim to its thriller conventionality. Is it…
The Birthday Cake doesn’t offer anything original, but its small-scale mob stylings will likely please a certain moviegoing demographic. If the Internet is to be believed,…
Eat Wheaties! isn’t necessarily a pleasant watch, but it’s committed to its abrasive vision and will likely work well for those already in its lane.…
It’s shouldn’t surprise that Willy’s Wonderland is an amusing enough experience, but it lacks the craft that would make it a more memorable blast. The meme-ification…
Girl is a deeply unremarkable, almost anonymous film that nonetheless testifies to the fascinating, untapped presence Bella Thorne offers. There isn’t real reason to brood much…
Ridley Scott’s Alien is celebrating its 40th anniversary, and so here comes Memory: The Origins of Alien. Part behind-the-scenes featurette, part essay film, one wishes…