Mad Bills to Pay “The working man is a sucker” — so reads the opening title card of Joel Alfonso Vargas’ debut feature, Mad Bills…
Drowning Dry Pilgrims, Laurynas Bareiša’s previous feature, was an accomplished debut that explored a man’s inability to move past the senseless killing of his brother.…
Contemporary Georgian cinema is hard to pin down. Recent years’ most notable examples prove native talent expresses itself in disparate ways. The familiar, coming-of-age sensibilities…