Set My Heart on Fire Immediately finds Perfume Genius making both his body and heart vulnerable, creating a profound intimacy from his preoccupations with fragility.…
Waxahatchee’s latest succeeds according to her familiar attention to emotional precision and in pivoting to a more Americana-leaning sound. After 2017’s dark and brooding…
Tame Impala’s latest does nothing to change the narrative that Parker’s emulation of other bands borders on unintentional parody. Kevin Parker is often praised…
Jessie Ware’s latest does exactly what pop should do — it innovates and bears beautiful reassurance. Jessie Ware nearly called it quits after 2017’s…
Fiona Apple’s Fetch the Bolt Cutters might be her greatest yet: a confrontation of trauma and exhibition of musical excellence. Eight largely reclusive years later and…
After recent collaborative albums, Punisher shows Phoebe Bridgers to be a complex and preternaturally formed artist in her own right. At this point, Phoebe…
Yves Tumor’s latest realizes an androgynous vision of rock ‘n roll and continues their morphology as an artist. It’s hard to imagine an artist…
Heavy Light sets the bleak landscape of contemporary society to the sounds of bubblegum pop. Meg Remy understands human struggle. On Heavy Light, the newest…