So what exactly ‘begins’ in Philippe Lesage’s Genesis? That’s a question that’s almost too deceptively simple to answer: love, of course (the film’s poster even presents its principle characters, Noée Abita’s Charlotte and Theodore Pellerin’s Guillaume, in the shape of an ‘L’), though unsurprisingly,…
Nobody knows bland, affluent white people quite like writer-director Bart Freundlich, a filmmaker who has made a career out of chronicling the interior struggles of the Haves and the Haves. From his debut feature, 1997’s The Myth of Fingerprints, all the way through 2016’s…
Before We Vanish | August 2019: La Flor, Luce, and One Child Nation
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words, while the title of In Review…
After thwarting the terrorist takeovers of both Washington, D.C. in Olympus Has Fallen and in London, in — naturally — London Has Fallen, legendary Secret Service agent Mike Banning (Gerard Butler) returns. And if the title here is meant to make any sense whatsoever,…
After his eccentric, taskmaster father (Udo Kier) dies, Andy (Tye Sheridan) — a burly, brooding mass of tortured American masculinity — joins a renowned physician, Dr. Wallace Fiennes (Jeff Goldblum), on an increasingly fraught tour of a debunked lobotomy procedure. So begins Rick Alverson’s…
Waylon Jennings may not have invented outlaw country, but with Honky Tonk Heroes he gave the movement its clearest distillation of purpose; its manifesto, its aesthetic framework, even its narrative vocabulary. Naturally, for a movement so rooted in myth-making, there’s an important backstory. Jennings, along with his pal…
What Luke Combs ultimately represents is a recalibration of mainstream country music. Less traditionalist than traditional-ish, Combs presents a more mainstream-palatable iteration of Chris Stapleton. The genre still hasn’t reconciled Stapleton’s commercial success vis-a-vis the rest of the trash they’ve been playing on the…
To this point in his career, Justin Moore hasn’t developed an artistic identity: A consistent C-list presence, his output has been characterized primarily by Moore’s trend-hopping, nakedly chasing success at radio. Fortunately for Moore, the current climate at country radio has turned at least…
It took far longer than it should have, but Runaway June’s terrific “Buy My Own Drinks” finally clawed its way into the top 10 at country radio. And having a bit of commercial momentum has given the trio enough clout for Wheelhouse Records to…
Kentucky troubadour Tyler Childers is fast on his way to becoming one of country music’s most accomplished miniaturists. His body of work now includes three studio albums that are admirably economical and restrained, 35-minute run times suggesting a classicist approach; meanwhile, his songwriting style…