Decades in the making but arguably being released five years prematurely, 28 Years Later, Danny Boyle’s follow-up to 2002’s seminal, lo-fi zombie film 28 Days Later…
The author Hunter S. Thompson is widely credited with founding the “Gonzo journalism” movement, which is informally defined as incorporating subjective language and satire into…
To coin an adage, directing a Stephen King adaptation is like getting a tattoo: it’s difficult to stop at one. The only thing harder to…
Credit where it’s due: Hurry Up Tomorrow is the sort of fiasco that Canadian pop superstar The Weeknd has been concertedly building toward over several…
Titles are a funny thing. Adapted from a 2020 novel of the same name, Eli Craig’s horror-comedy Clown in a Cornfield takes the same tact as recent…
The rapid ascension of Ryan Coogler as a pop-filmmaker of some stature has taken a somewhat counterintuitive route. After bursting onto the scene with an…
It’s 1987 in Oakland, California. The Golden State Warriors are trying to avoid being swept by the Lakers in the Western Conference semifinals, feuding factions…
“Eat the rich” satires didn’t start under Trump, but it certainly feels like they’re accelerating of late. We’re less than a month removed from the…
In the sci-fi-horror film Ash, an ethnically and geographically diverse group of astronauts is dispatched to the farthest corners of the galaxy as Earth’s last…
Jonathan Majors is poised to become a household name this year, with high-profile roles in upcoming installments of the MCU and extended Rocky franchises due…
In Aude Léa Rapin’s sci-fi drama, Planet B, the French government has imprisoned dissidents in a virtual prison. Bodies are kept in a vegetative state…
Someone inside one of the UK’s intelligence agencies has stolen a device that could lead to the deaths of hundreds of thousands of people and…
In Oz Perkins’ The Monkey, a mechanical wind-up monkey that plays a drum (but don’t call it a toy) serves as a harbinger of death.…
In Scott Derrickson’s The Gorge, Miles Teller and Anya Taylor-Joy play two of the best snipers in the world representing, respectively, the superpowers of the…
Filmmaker Paolo Sorrentino has made, really, one kind of film for the majority of his career: decadent exercises in excess that observe the absurdity of…
If there was reason to be cautiously optimistic about Universal’s remake of its horror franchise Wolf Man, it was the involvement of director Leigh Whannell.…
How does one engage critically with Companion, a film whose chief attribute and function is as a plot twist delivery machine? Even its very premise…
There are reportedly more than 100 films based on Bram Stoker’s seminal 1897 novel Dracula, and the most damning thing one can say about Robert…
Halina Reijn’s Babygirl is aware of the discourse. It’s read all the articles that have been passed around online, it knows what’s considered problematic in…
The linchpin scene of Brady Corbet’s The Brutalist arrives nearly an hour into its 215-minute runtime when Adrien Brody’s Hungarian architect, László Tóth, sits down…