Analyzing a Wang Bing is never such a small feat, regardless of length; and Youth (Homecoming), the final entry in the director’s Youth trilogy,…
If anything is to be said of Zack Snyder, it’s that he has never met a director’s cut he didn’t like, with films such…
Upon initial release in 2016, Shin Godzilla — the product of co-directors Hideaki Anno (creator of Neon Genesis Evangelion) and Shinji Higuchi (storyboard/SFX artist)…
Action cinema is never far from questions of the psychotic, be it content, form, or both. Be it questions of production (why would these…
Kimitachi wa dô ikiru ka, retitled The Boy and the Heron for the English-speaking world but better translated as How Do You Live?, is…
The late Chinese, Tibetan minority filmmaker Pema Tseden is no stranger to the Western international film festival circuit (which is also the case for…
In many respects, each of the works by Wang Bing at Cannes this year exemplify the now reigning axes of Wang’s interests and style.…
The latest film from Light Chaser Animation Studios, New Gods: Yang Jian, continues several ongoing trends in its development as a production house: first,…
Hidden Letters is a film as slight as the script it documents. Among the slighter entries in the Tribeca line-up is Violet Du Feng and…
Over the course of his three-feature film career, Japanese filmmaker Juichiro Yamasaki has been at pains to elucidate and track the situation and situatedness…
Far from being a new director or a new film, Aditya Vikram Sengupta’s third feature Once Upon a Time in Calcutta speaks to a…
Saturday Fiction is a formally enterprising and experimental work that delivers as an exercise in digital esotericism. Set amidst the spy games of Allied…
#18. In a time of corporate sameness – in which films operate based on formula that are formally and structurally identical and guaranteed to…
The collective known as the Hong Kong Documentary Filmmakers – who have two of their films at this year’s CineCina Film Festival – accounts…
Having first reached the festival circuit in December 2020 at the Cairo International Film Festival, the Mainland Chinese entry for competition at this year’s…
Jia’s latest is a didactic, propogandist exercise, and something of a punctuating about-face from his best work. In a 2003 essay, Jia Zhangke —…
Still Processing is a work of profound emotional catharsis that suggests even greater formal heights on Romvari’s horizon. Occupying a well-deserved place on TIFF’s Short…
IWOW is a work of pure hubris and self-aggrandizement, entirely devoid of the humanity that has informed Allah’s previous works. Over the course of his…