My Agenda mashes and distorts disparate musical genres and sociopolitical potency into exhilarating, oddball earworms. Dorian Electra has seemingly done the impossible — well, at…
The results come out a bit mixed, but there’s no denying the pleasure of witness MGK’s complete artistic freedom in the form of pop-punk…
Martin Eden is a subtle and complex character study of one man’s ideological tempest. Martin Eden — a character first created by Jack London, in…
This Borat sequel is up to familiar antics but is far too sold on its own unearned sense of importance. 2006 was a much simpler…
Glimpses from a Visit to Orkney in Summer 1995 is perhaps the most categorically detailed title that film diarist Ute Aurand has ever given…
Late career Adam Sandler thrives within Netflix’s low stakes, and Hubie Halloween is his most buoyant effort yet. For the better part of a decade, most…
Trump Card was always going to be pathetic, but it surprises in demonstrating new lows of argumentation and cohesion from its soft-minded director. Dinesh D’Souza…
The long-standing theoretical association made between watching cinema and being in a dream-like state is one that’s rooted in a firm misunderstanding about the…
The best thing one can say for Claudio Noce’s Padrenostro is that its narrative is well-intentioned. The film attempts to reckon with the lingering…
There never was a romance quite like it: beat poets/star-crossed lovers Exene Cervenka and John Doe form a little rock band with guitarist Billy…
An effort of self-serious arthouse aspiration, Song Without a Name brings nothing new to the table. Melina León’s Song Without A Name is representative of…
NO DREAM represents a thinning of Rosenstock’s post-2016 ethos. Jeff Rosenstock has spent the past decade or so getting flustered and yelling at a lot…
“It has been quite a journey / From my driveway to my front door / It has been quite a journey.” Lil Wayne floats…
It must be hard being Marshall Bruce Mathers III, or so he’d like you to believe. According to him, and everyone who has defended…
Four years ago, self-anointed King of the Teens Lil Yachty released the polarizing Lil Boat mixtape, and seemingly overnight (or, one could say, over…
After Hours still revels in The Weeknd’s familiar hedonistic lyrical content, but also evinces an unexpected artistic progression. 2020For the better part of the last…
I Disagree is a ferocious pop album and a defiant, artistic declaration of autonomy. Just who even is Poppy? There are a few floating ideas,…
Charity albums don’t have to sacrifice quality, and Mall Grab’s Don’t Keep the Fire Burning is evidence. Mark Newlands wants to punch you in the…