As we expressed in our other major 2018 catch-up feature, it’s a fool’s errand to try and cover every worthy release from a particular genre in a given calendar year.…
In the U.S., the films of Japanese director Naomi Kawase have often been met with apprehension, not accorded the same respect as other celebrated works from the European…
Trying to cover every rap album, mixtape, EP, collaborative project, and “selective playlist” released over the past year seems like a fool’s errand; in 2018…
The albums that defined the past year were projects that subverted typical genre norms and traditionalist views, making themselves hard to rigidly categorize in the process.…
There are a lot of movies released in a year — and that’s even once you cut the crop down to just those that receive…
Toxic masculinity had a year; scan the top three titles on this list and you’ll find three films about self-involved men belaboring the value of…
In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek Do?…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had directed…
In an effort to reboot our music coverage, In Review Online has launched some monthly features devoted to reviewing new album releases. One such feature is Foreign Correspondent —…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…
In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek…
In an effort to reboot our music coverage, In Review Online has launched some monthly features devoted to reviewing new album releases. Today, we launch Foreign Correspondent —…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…
In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek…
When Hong Sang-soo made his debut feature, 1996’s The Day a Pig Fell Into the Well, the South Korean cinema had not yet developed into…
In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. Last month, we launced εὐδαιμονία (or, Eudaimonia),…
In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek…
In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. The first of these features debuted…
In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. The first of these features…
Yesterday, we presented our Top 10 Albums of the Year (So Far). Today, we do the same for film — which also gives us the chance to…