Black Widow is fairly lightweight and doesn’t impress much with its action or visual design, but the character work and comedy prove somewhat redemptive. Although it…
No Sudden Move is another successful crime caper from Soderbergh, as formally and tonally playful as his best efforts in the genre. The endlessly versatile Steven…
Against all odds, Family Business manages to be a wild, engaging sequel to the interminable original Boss Baby. Dreamworks Animation has always shown a penchant for producing…
The Forever Purge is suitably cynical and cathartic effort, righting some of the series’ previous wrongs and more bluntly tackling America’s systemic evils. Since James DeMonaco’s…
America: The Motion Picture is a dopey, dated take-down of American exceptionalism that occasionally hits its target. America: The Motion Picture, the debut feature from Frisky…
First Date endows its stock premise with a zany amateurism that is simultaneously cool and cringeworthy. First Date, the debut feature of directorial duo Manuel Crosby…
Dynasty Warriors buries its littered, low-key strengths under a deluge of CGI nonsense. What does it mean to adapt the video game series Dynasty Warriors,…
Unlike recent duds Mainstream and PVT Chat, Zola is a film that cuttingly, brutally understands what it is to be Extremely Online. No film better encapsulates the callous…
Questlove’s debut film as a director is a success, defined as much by its outrage as its joy. Ahmir “Questlove” Thompson, drummer of the legendary…
Prime Time is all the more terrifying for its refusal to pathologize its lead in any easy way. Set on the eve of the millennium,…
The Ice Road doesn’t trust the straightforward formula of its actioner origins, needlessly complicating things to its detriment. It’s 2021 and the Liam Neeson Action…
Vicious Fun fails as both horror cinema and horror deconstruction. Wes Craven’s Scream has been justly lauded as an epochal moment in horror cinema, a…
Kid Candidate doesn’t have as inclusive an eye as you’d like, but it still manages a cutting depiction of the institutional rot deep in the…
Director Alan J. Pakula helped usher in a decade of gritty, morally ambiguous New York thrillers with 1971’s Klute, a nervy neo-noir starring Donald Sutherland…
Fathom sidesteps plenty of nature documentary pratfalls, but fails to develop a distinctive voice of its own. In the wake of Planet Earth’s zeitgeist arrival…
When Eazy-E departed our earthly realm, he left behind not just his own substantial body of work, but an entire, still-thriving record label with a…
F9 continues the franchise’s downward trend, further garbling its outsized action and sentimentality into confectionery pap. What started as a scrappy gearhead ripoff of Point Break…
An Unquiet Grave fails to deliver even scares, let alone substantive plot or character. Horror is a genre that tends to thrive on economy; it…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Werewolves Within doesn’t deliver many scares, but it hits an amusing, breezy target that too few horror-comedies manage. Finn (Sam Richardson) is the new forest…