The Sparks Brothers For most of their fans and listeners, a first encounter with Sparks did not result in the assumption that the duo of…
Episode Description: This week, we conclude our discussion on the 2020 summer movie season by taking on a film we still can’t believe got a…
CODA The title of Siân Heder’s sophomore feature is twofold: an acronym for the “child of deaf adults,” and the concluding passage or movement of…
Beginning emerges from the influence of obvious formal antecedents to become a stirring, singular work from a new cinematic worth following. On its surface, Dea Kulumbegashvili’s…
Penguin Bloom tries to expand itself a bit from template filmmaking, but mostly still trades in familiar disability narrative tropes and obvious metaphors. Regrettably, there…
Saint Maud is another A24 exercise in elevated, modulated horror but is fairly absent of anything beyond empty, artful pretense. It’s been a long journey to…
Malcolm and Marie is an affecting meditation on the private life of relationships and the closed-door conflicts that arise in the absence of an audience.…
The Night hints at building nuance into its familiar template, but ultimately jumbles familiar genre tropes to no discernible end. It’s never a good look to…
Liborio’s initial enigmas ultimately give way to something tidier and less pleasantly challenging. Olivorio Mateo, a farmer-turned-prophet whose providential oversight and teachings later influenced the…
True Mothers bears Kawase’s familiar textures and ambiance but is hampered by a few too many banal plot beats. Adapted from a 2015 bestseller by Mizuki…
The Little Things is a stylistically bankrupt, psychologically facile yawn of a movie. Largely forgotten in all the talk these days about how modest studio films…
Kicking the Canon has underwent a bit of makeover and invited some friends to the party. With a decade having elapsed since the aughts, the KtC…
Palmer has noble intentions and a winning performance from Timberlake, but it’s thematically undercooked and tonally jarring. Apple TV+’s Palmer, the latest film from actor/director Fisher…
Just Don’t Think I’ll Scream isn’t the exercise in solipsism or self-serving appropriative art its premise threatens, but its overall effect is one of cautious distance.…
In his 1978 book Orientalism, historian and cultural critic Edward Said writes: “Every single empire in its official discourse has said that it is not…
“Fuck Soulja Boy. Soulja Boy, I know you’re young enough to be my kid but you single-handedly killed hip-hop, man. That shit is such garbage.…
Paul McCartney Considering the lukewarm (even arguably harsh) response with which Paul McCartney’s two previous one-man home-recorded solo albums, McCartney (1970) and McCartney II (1980),…
You Will Die at Twenty contains plenty of allegorical power, but its ineffectual plotting ultimately teases out more stimulating questions than it does answers. As a…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Film About a Father Who is an intimate, innovative auto-doc about wounded people finding solace in the company of fellow stragglers. Film About A Father Who…