Claire Simon’s new documentary portrait Writing Life – Annie Ernaux Through the Eyes of High School Students is, for the most part, strikingly straightforward. Clocking…
The most prolific filmmaker in the Baltics has returned. Šarūnas Bartas, the director behind The House and Peace to Us in Our Dreams, has been…
Traditionally, dramas dealing with characters moving on from relationships follow a three-part structure: the chronicling of the youthful highs of the first passionate relationship and…
If it ever gets proper distribution, Zoe Eisenberg’s new romantic drama Chaperone will surely generate several cycles of enervating discourse on Twitter; it’s rare that…
The Currents A woman, beautiful and a touch removed, travels to Switzerland from Argentina to accept an award. She throws the glass statuette in the…
A woman, beautiful and a touch removed, travels to Switzerland from Argentina to accept an award. She throws the glass statuette in the bathroom trash,…
Filmmaking duo Madeleine Sims-Fewer and Dusty Mancinelli took the 2020 TIFF Midnight Madness crowd by storm with their stunning debut feature Violation, an extremely dark,…
The debut feature from Spanish director Lucía Aleñar Iglesias is a different kind of coming-of-age story, one that finds its young protagonist Cata (Zoe Stein)…
Maryam Touzani’s Calle Málaga won the Audience Award at the Venice Film Festival’s new Spotlight Section, and the film is accordingly an audience-pleaser. Following her…
“The year you were born,” reads the opening title card to Palestine 36. It’s a daunting prescription that also invites the viewer into the story.…
Wavelengths 2: Into the Blue, more than either of the other 2025 shorts programs or the features, exemplifies experimental film programming’s recent trend toward documentary,…
Mile End Kicks Having decided myself to migrate from a Toronto suburb to Montreal in my young adulthood shortly after hearing Visions for the first…
Having decided myself to migrate from a Toronto suburb to Montreal in my young adulthood shortly after hearing Visions for the first time, I am…
In the opening scenes of Cai Shangjun’s The Sun Rises on Us All, a woman in her mid-30s, Meiyun (Xin Zhilei), is getting an ultrasound.…
“I wonder if it’s like being inside an aquarium,” remarks sixteen-year-old Choo Xin Yu (Ranice Tay) as she sits for her Ordinary Level examinations. Facing…
Living in Brazil in a post-Bolsonaro world clearly feels dystopian to director Gabriel Mascaro, who has now made two consecutive films about a near-future where…
Mexican director Fernando Eimbcke is a delight, a playful formalist in a sea of self-serious festival auteurs. But because comedy is often viewed askance by…
Tasha Hubbard’s debut fiction work is a clear-eyed, frustrating compound of incomplete scenes and rounded emotional resonance, where characters speak in terms defined either by…
Siyou Tan’s debut feature, Amoeba, screened at the Toronto International Film Festival under its Discovery section, introducing a fresh and candid new voice in Singaporean…
It takes a few minutes to realize that there hasn’t been a single edit in Hugo Ruíz’s new film, One Night With Adela, and then…