The primary appeal of Dominga Sotomayor’s Too Late to Die Young is its seductive portrayal of a liminal state. Set in a bohemian commune in…
Diamantino, the brainchild of directors Gabriel Abrantes and Daniel Schmidt, comes out guns-a’-blazin’, with frenetic, intertwining, impossible-to-link story threads listed-out via voice-over and referencing (in…
“Sensuous,” “gorgeous, “evocative” — such descriptors are perhaps too easily applied to Ash Mayfair’s The Third Wife, a film that, from its opening frames, seems…
‘Batman of the barrio’ makes for an enticing logline, and Ben Hernandez Bray’s El Chicano presents itself as “the first Latino superhero movie.” But good…
Film history is chock full of men falling in love with the ‘whore with a heart of gold,’ either to the effect of their own…
The Wind marks director Emma Tammi’s first foray into narrative cinema, a step away from her documentarian work and directly into the foreboding wilderness of…
Yuen Woo-ping’s Ip Man “side story” is a perfectly appropriate addition to this franchise, for both better and for worse. Master Z: Ip Man Legacy serves as a direct…
Eva Husson’s Girls of the Sun has the noblest of intents, making it almost impossible not to admire it in the abstract. It’s also hard…
As a foolproof, crowd-pleasing subject, you can’t go wrong with dogs and their owners. So it’s not hard to see the appeal of veteran Dutch…
Chinese cinema is now deep into its latest movement, its 8th Wave. But this moment is a conflicted one, as intensely contradictory as Chinese existence itself —…
Relaxer sticks to a grim formalist gimmick that exhausts its visual ideas by about the halfway mark, leaving director Joel Potrykus to indulge in the…
The foggy shores of Australia’s Christmas Island become a crossroad for migrants of both the human and animal variety in Gabrielle Brady’s haunted and moody…
Knife + Heart was probably the oddest entry in Cannes’ main competition slate last year — a trendy, queer, pop cinema throwback that stood-out in…
Acclaimed film critic and programmer Kent Jones follows up 2015 documentary Hitchcock/Truffaut with his first fiction film as writer/director, yielding decidedly uneven results. Diane is a fairly…
Suburban Birds opens with an iris shot, a formal gesture that likens it to Feng Xiaogang’s recent I Am Not Madame Bovary. Quickly, Qiu Sheng’s film…
A young man heads to Singapore in search of his mother’s family after his father, a successful ramen chef, dies. Gauzy flashbacks fill in his parents’…
As with 2010’s exceptional October Country, Michael Palmieri and Donal Mosher’s The Gospel of Eureka brings an intelligent, discerning empathy to matters of political, moral,…
Birds of Passage, Ciro Guerra and Cristina Gallego’s latest collaborative effort (previously a producer, Gallego serves as co-director here) finds the duo continuing their thematic…
There’s a fine line between the absurd and the transcendent, and Tim Sutton’s Donnybrook crosses it with ludicrous abandon. Jarhead Earl (Jamie Bell) is a…
“I don’t want to be an example. I just want to be a girl,” says Lara (Victor Polster), the title character of Girl, Lukas Dhont’s highly acclaimed…