In Hong Kong’s tropical humidity, where sweltering bodies cram around mahjong tables or hunch over noodle stands, how can two people in a forbidden romance…
Escape Room: Tournament of Champions rides the same strengths of the original, resulting in a film that is a bit spare but still a feat of…
Jacquot’s latest sticks to the directors strengths, mining poignancy from the inexplicable and beauteous. As erratic and eccentric as any new film by Benoît Jacquot…
Die in a Gunfight isn’t the worst Romeo and Juliet adaptation on record, but it’s certainly not a good one. The last thing the film…
The dull and ethically dubious Mama Weed fails to live up to the gonzo promise of its title. With a premise and (English language) title sure…
Meander is a dull and derivative dud that fails to deliver the requisite thrills or kills demanded of its genre. On a desolate stretch of road…
One of the more consistently interesting young(ish) actors working in international cinema, Louis Garrel has also spent the last decade working at a less interesting…
The Tsugua Diaries The Tsugua Diaries would be considered quite the swing for most any other director, but for Miguel Gomes, here partnered with documentarian…
Director Vincent Le Port co-founded French production company Stank in 2013, through which he has managed to put out a handful of shorts including eerie,…
A film of casually assured artistry and superficial topicality, Noémie Merlant’s feature debut Mi Iubita, Mon Amour is something of an archetypal French festival entry,…
The Call’s throwback vibes don’t do much to add to its predictable style and lack of notable scares. Arriving on the heels of the Fear…
Each one of Apichatpong Weerasethakul’s films is a series of echoes and recurrences, palimpsests of what has preceded and teasing forebears of what’s to follow.…
The Holocaust has provided the backdrop for so many films that it’s a rather bracing experience to discover one that handles the subject and setting…
A breathless, even primal, survival thriller, Haider Rashid’s Europa works like gangbusters as a propulsive bit of genre filmmaking, but less so as the empathetic…
“Misfortune departs, grace comes in,” says a villager, as she takes a knife to a Kaffan-leaden woman’s hand. In brightly-lit, glossy handheld, Agata (Celeste Cescutti)…
Moneyboys A tacked-on melancholy shoulders, for the most part, the dramatic weight present in C.B. Yi’s carefully composed and frequently arresting first feature. Moneyboys, as…
Pig isn’t the Nic Cage film you’re expecting — it’s better. It’s tough to recall a recent film — particularly outside the auteur context — that…
Her Socialist Smile is yet another landmark work from Gianvito, more intimate than his usual but no less fiercely and formally intelligent. John Gianvito’s Vapor Trail…
The titular fracture, between Marina Foïs and Valeria Bruni-Tedeschi’s lesbian couple Julie and Raf, is one of three divides uniting La Fracture’s anxious reality. Physically,…
Jean-Gabriel Périot’s films center around archival footage, crafting stories from multimedia video and grafting them in and out of multiple contexts. Best known for the…