The works of Lloyd Kaufman, founder and director of Troma Films, have always been about breaking the boundaries of what can be shown and told in…
Undergods Undergods is a crypto-anthology film that gradually morphs into a distaff network narrative, one of those everyone-is-connected type movies that were all the rage…
For all of Tenet’s ostensible narrative novelty and talk of the future, it is, in the end, a dismayingly familiar experience. It makes some degree…
Coastal Elites is a tone-deaf and formally lazy film that ignores issues of substance in favor of a facile call for civility. Anyone concerned that the…
Nomad is a passionate and heartfelt work, but Herzog’s foregrounded presence sometimes distracts from film’s more mystical ambitions. In January 1989, the legendary British adventurer, writer,…
Iannucci’s latest isn’t quite a natural fit for the director, but he still mostly succeeds by injecting his trademark levity into the spirited core of…
In its first half, Liao Ming-yi’s debut feature, I WeirDo, fits the mode of the cute, quirky rom-com. It bears down hard on its appropriately…
The Dark & the Wicked It’s unfortunate that Bryan Bertino’s debut feature was 2008’s The Strangers. The film is the 21st century’s best instance of…
Wonders in the Suburbans is an unwieldy affair, taking supposedly comedic pot-shots at any number of targets without any clear vision. Jeanne Balibar’s brand of idiosyncrasy…
Dolan’s latest intrigues in deviating from the director’s familiar mode, but its busyness never fully distills into any cogent statement. Matthias & Maxime, the 2019…
Face the Music doesn’t possess the rambunctious energy of its predecessors, but is hopeful and good-natured in a way too few comedies achieve these days. Just…
The low-stakes Get Duked! thankfully proves to be a more spirited and memorable comedy than its godawful title suggests. It has to be said: Get…
Writer-director Sidharth Srinivasan’s Kriya intelligently inhabits two familiar horror setups: first, the unease of a mysterious seduction; and second, the narrative of the hapless outsider…
The Reckoning On its face, The Reckoning seems like a strange follow-up for director Neil Marshall, after last year’s mid-budget Hellboy reset. Then again, given…
I’m Thinking of Ending Things is a masterful and surprising adaptation from Charlie Kaufman, a work of towering humanism braced by an exquisitely disorienting aesthetic.…
Centigrade doesn’t do much as a character-driven chamber piece, but it’s served well by an attention to detail and the ability to build genuine tension. In…
Kris Rey’s latest has moments that delight, but the final product feels distinctly undercooked. Kris Rey (formerly known as Kris Swanberg) is no stranger to…
The Pale Door is a tonally mismanaged botch job that unsuccessfully cribs from stronger genre entries. There’s a bit of a shared cinematic history between the…
An effort of self-serious arthouse aspiration, Song Without a Name brings nothing new to the table. Melina León’s Song Without A Name is representative of a…
Out Stealing Horses is a lame prestige film knockoff that trades in empty platitudes. Based on the acclaimed 2003 Norweigan novel of the same name, the…