Us begins with a sincerely spooky prologue taking place in 1986, when young Addy wanders away from her bickering parents at the Santa Cruz boardwalk and…
Stanley Kubrick’s final film is one of the least-sexy films ever made about sex. Libidinous, yes, and full of naked bodies in salacious motion, engaging…
As with 2010’s exceptional October Country, Michael Palmieri and Donal Mosher’s The Gospel of Eureka brings an intelligent, discerning empathy to matters of political, moral,…
Birds of Passage, Ciro Guerra and Cristina Gallego’s latest collaborative effort (previously a producer, Gallego serves as co-director here) finds the duo continuing their thematic…
There’s a fine line between the absurd and the transcendent, and Tim Sutton’s Donnybrook crosses it with ludicrous abandon. Jarhead Earl (Jamie Bell) is a…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Like Black Panther before it, the representational bona-fides of Captain Marvel, the latest Marvel Cinematic Universe, entry have been at the forefront of its marketing and…
We’re a long ways away from when directors like Allan Dwan and Joseph H. Lewis could pack an absurd amount of plot into 70-minute features;…
It’s been 20 years since game-changer The Blair Witch Project hit cinemas, and yet the found-footage horror sub-genre is going strong. Just last year, both the well-regarded horror sequel Unfriended: Dark…
In Alex Lehmann’s Paddleton, Mark Duplass and Ray Romano play Michael and Andy, a couple of sadsack, socially awkward, loser neighbors who have struck up…
Jean Luc-Godard’s career came to an end in 1967, with Weekend — only for it to rise again out of the ashes, and for the filmmaker…
A Perfect World’s title is contradictory, born from a phrase that implies that life will never really amount to what we want it to — but…
Brothers of the Night concerns a loose network of young Bulgarian men who, unable to find work in Vienna, instead prowl the city streets selling…
The unconventional comedic drama Dear Ex has become a major success story for Taiwanese filmmakers Mag Hsu and Chih-yen Hsu. Nominated in eight categories at the Golden Horse awards,…
Dan Gilroy has birthed one of the worst movies of the year, a hapless art world satire that gives way to an inept horror film:…
God Exists, Her Name is Petrunya operates as a harsh critique of a deeply misogynist world. Teona Strugar Mitrevska’s understated Macedonian satire — often more brutal than…
The 69th Berlinale ran from February 7 – 17. Our own Joe Biglin was there, and is continuing to file dispatches from the fest (delayed due…
If A City of Sadness represents Taiwanese director Hou Hsiao-hsien’s greatest achievement to date — an assessment that its Venice Golden Lion and long-standing reputation would seem to…
It would be difficult to summarize the aesthetic of M. Night Shyamalan’s work of the past decade in one fell swoop, but there are a number…
“I don’t want to be an example. I just want to be a girl,” says Lara (Victor Polster), the title character of Girl, Lukas Dhont’s highly acclaimed…