Scream’s reputation as the harbinger of self-aware horror is not entirely fair to its predecessors. The horror genre, and slasher subgenre in particular, had been…
As middle-aged philosophy professor Ben Hardin (Robert Longstreet) endures an existential nosedive, Sabbatical responds by redirecting that void on the audience through stylistic deprivation. Director Brandon Colvinshoots in…
Sátántangó’s very first shot set the stage for everything director Béla Tarr would make, what international festival directors would seek to imitate, and a developmental period for…
Nagisa Ôshima’s audacity as a filmmaker was unmistakable by the time his third feature hit screens in 1960. The full scope of the filmmaker’s rabid…
Kinsman: The Secret Service is ostensibly both a rebuke to the increasingly self-serious spy genre and a tongue-in-cheek nod to the good old days of 007…
Whenever anyone mentions the 1998 Oscars, the conversation inevitably turns to the great “injustice” of Shakespeare in Love beating Steven Spielberg’s Saving Private Ryan for Best Picture. But the…
In an overhead shot, a 4×4 full of jihadists crawls down a cramped village alleyway, where it’s greeted by a lanky woman in flowing colored…
The Wachowskis have been formal innovators from the start, building a pulley system to show a body falling dead or breakaway sets to stage an elaborately…
The life-changing instance of reason defeating desire has been at the center of such great melodramatic moments as the airport climax of Casablancaand the railway station…
Pinastri, a scientific term given to a specific moth family, is the safe word for S&M lovers Cynthia (Sidse Babett Knudsen) and Evelyn (Chiara D’Anna),…
Some of Eric Rohmer’s sharpest skewerings of male psychology take as their focus guys defined by disjunctions between appearance and intention — take, for instance, the exceedingly suave…
Blackhat opens with a CG-animated representation of a block of data infiltrating a computer network. A tiny glowing grid sliding along a superconducting surface with…
One is tempted to think of Heat as a culmination, a kind of halfway point in the career of its director, Michael Mann. This isn’t entirely accurate, since the…
There were times during this especially tumultuous year when it seemed as if the world at large was on the verge of collapsing. A whole…
Abel Morales (Oscar Isaac) is an ambitious immigrant who has secured a modest toe-hold distributing heating oil. Though he’s just taken a major risk in…
Comparable to reading a biography with informative chunks ripped out, leaving gaping holes aplenty in the narrative, Angelina Jolie’s Unbroken is little more than an…
Many of the interactions in Two Days, One Night occur on opposite sides of doorways, liminal spaces echoing protagonist Sandra’s (Marion Cotillard) temporary suspension between…
During the 1960s, painter Margaret Keane’s artwork, largely depicting children with outlandishly large eyes, was sold under the name of her husband, Walter, who apparently…
With the release of The Battle of the Five Armies, the third and final installment in Peter Jackson’s Hobbit trilogy, it should be obvious to…
If you haven’t seen Karel Reisz’s 1974 The Gambler before seeing Rupert Wyatt’s new Mark Wahlberg-starring remake, don’t watch it in close proximity to the…