Grief is a challenging experience to depict in any medium due to its deeply subjective nature and the presentational challenges this presents. Whether it’s…
Pascal Plante’s third feature, Red Rooms, premiered at last year’s Karlovy Vary Film Festival, before screening to both critical and popular acclaim at Fantasia, where…
ESSAYS A MANDATED PSYCHOSIS: ON PETER WATKINS’ THE JOURNEY FEATURE BY: Alex Lei INTERVIEWS INTIMACY ON A BIG SCREEN: AN INTERVIEW WITH INDIA DONALDSON…
Since his debut feature, Tower, 12 years ago, Kazik Radwanski’s tendency to foreground his characters’ inner turmoil has been matched, and perhaps maintained, by…
Dahomey Before making her feature film debut with 2019’s Atlantics, French-Senegalese director Mati Diop produced a series of poetic short films, all of which…
Comparisons to Everything Everywhere All at Once seem inevitable in the early buzz on Yang Li’s Escape from the 21st Century. The TIFF program…
In a recent interview with The Hollywood Reporter, actress Kaniehtiio Horn speaks about the lack of leading roles coming her way after successful stints…
The release of a new Tim Burton film prompts any number of critical referendums on the filmmaker’s work and legacy. For critics of a…
Hard Truths Six years ago, Mike Leigh produced his first war film, Peterloo, in which domestic unrest in 1819 led British troops to slaughter…
The decade-long collaboration between Sofia Bohdanowicz and Deragh Campbell has produced a fascinating cycle of films, including features and shorts, that goes some way…
Gia Coppola’s (Palo Alto) The Last Showgirl announces its intentions and approach from its first frame. We open on a tight shot of the…
Crispin Glover has long been a fixture of eccentricity and intrigue in Hollywood, carving out a niche for himself with a career — and…
Christopher Jason Bell has amassed an impressive filmography of shorts and features over the last 15 years, across which we can trace three key…
No festival season rests complete without at least one recent opus by Filipino director Lav Diaz receiving due consideration, and Venice 2024 ensured this…
Any movie that features a theater critic as a main character invites more intentional criticism from even lay viewers through the mere recognition that…
Göran Olsson’s Israel Palestine on Swedish TV 1958-1989 is a remarkable documentary, if not purely for its access to decades worth of newsreels, interviews,…
If, as the film’s logline suggests, we are to read the humble oyster as a “queer icon of New York City’s unlikely survival story,”…
Clowning on Juggalos (see what I did there?) can sometimes feel like punching down. Their intense fandom, centered around the Detroit-based horror-rap group Insane…