With films like D.A. Pennebaker’s seminal 1967 documentary Don’t Look Back and Todd Haynes’s shapeshifting 2007 musical drama I’m Not There, the cinema has maintained…
Knife + Heart was probably the oddest entry in Cannes’s main competition slate last year — a trendy, queer, pop cinema throwback that stood-out in…
The Sandman operates in a curious strata these days, as the haters have had to concede to the fact that There Is Something To Adam…
Ready for another go-round with your vaguely queasy adult feelings about the inner lives of toys? Disney and Pixar are here to oblige. Toy Story…
When Men in Black debuted in 1997, it was as an amiable goof, Ghostbusters with aliens, a delight. The then-cutting edge special effects and breezy chemistry…
Gordon Parks’s 1971 Shaft is now almost 50 years old. The film didn’t begin the blaxploitation subgenre, but it was certainly its most popular example…
Ostensibly a return to the populist wuxia films of Chinese director Zhang Yimou‘s mid-2000s hayday, Shadow instead feels more like an exercise in extended foreplay.…
Adapted from Nobel Laureate Harry Martinson’s long form poem of the same name, Pella Kågerman and Hugo Lilja’s Aniara skews largely sensationalist — to its…
There’s something of a red flag that should warn viewers just moments into Meeting Gorbachev of the documentary’s relative lack of cinematic austerity: the shimmering…
The Wandering Soap Opera manages to create the perfect portrait of a nation without culture, without guidance, lost in a post-dictatorial haze. Filmed in 1990…
The primary appeal of Dominga Sotomayor’s Too Late to Die Young is its seductive portrayal of a liminal state. Set in a bohemian commune in…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Ryusuke Hamaguchi’s intimate epic of friendship between women, Happy Hour, was my favorite film of 2016, so needless to say Asako I & II, which…
Diamantino, the brainchild of directors Gabriel Abrantes and Daniel Schmidt, comes out guns-a’-blazin’, with frenetic, intertwining, impossible-to-link story threads listed-out via voice-over and referencing (in…
“Sensuous,” “gorgeous, “evocative” — such descriptors are perhaps too easily applied to Ash Mayfair’s The Third Wife, a film that, from its opening frames, seems…
More generationally distinctive than his recent output, Olivier Assayas’s latest, Non-Fiction, engages with a specific vein of cultural discourse regarding technology: e-books as a corruption…
In the year 2019 we have ourselves an honest-to-goodness, totally authentic film maudit, Brian De Palma’s new whatsit Domino. Barely completed, abandoned by its producers…
The Souvenir is that rare kind of great film, one that teaches you how to watch it as it goes on. There’s a constant tension…
‘Batman of the barrio’ makes for an enticing logline, and Ben Hernandez Bray’s El Chicano presents itself as “the first Latino superhero movie.” But good…
“You know, I grew up around black people my whole life. I mean, if the truth be told, I probably know n***** better than you.…
The Lonely Island crew has a new project, a bizarre inside joke that has spawned a 30-minute Netflix special, awkwardly titled The Unauthorized Bash Brothers…