OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Jim Jarmusch’s new horror-comedy, The Dead Don’t Die, is a missive from the other side. For one thing, it’s a zombie film in the tradition…
The Last Black Man in San Francisco is over-directed: The camera impersonates the POV of a pop fly ball, the images frequently are affected by…
Not quite the swing-for-the-fences sophomore audacity you might expect from the guy who made Hereditary — but certainly a film that never would have made…
Given Mindy Kaling’s standing as a woman of color with an established career in television — as an actress and a producer/creator — one might…
Lav Diaz’s A Lullaby to the Sorrowful Mystery (which first premiered in 2016, but is only now getting a release Stateside this year, thanks to…
We’ve decided to do something a little different this year for our 2019 (so far) lists; instead of a formal poll, were using this as…
With films like D.A. Pennebaker’s seminal 1967 documentary Don’t Look Back and Todd Haynes’s shapeshifting 2007 musical drama I’m Not There, the cinema has maintained…
Knife + Heart was probably the oddest entry in Cannes’s main competition slate last year — a trendy, queer, pop cinema throwback that stood-out in…
The Sandman operates in a curious strata these days, as the haters have had to concede to the fact that There Is Something To Adam…
Ready for another go-round with your vaguely queasy adult feelings about the inner lives of toys? Disney and Pixar are here to oblige. Toy Story…
When Men in Black debuted in 1997, it was as an amiable goof, Ghostbusters with aliens, a delight. The then-cutting edge special effects and breezy chemistry…
Gordon Parks’s 1971 Shaft is now almost 50 years old. The film didn’t begin the blaxploitation subgenre, but it was certainly its most popular example…
Ostensibly a return to the populist wuxia films of Chinese director Zhang Yimou‘s mid-2000s hayday, Shadow instead feels more like an exercise in extended foreplay.…
Adapted from Nobel Laureate Harry Martinson’s long form poem of the same name, Pella Kågerman and Hugo Lilja’s Aniara skews largely sensationalist — to its…
There’s something of a red flag that should warn viewers just moments into Meeting Gorbachev of the documentary’s relative lack of cinematic austerity: the shimmering…
The Wandering Soap Opera manages to create the perfect portrait of a nation without culture, without guidance, lost in a post-dictatorial haze. Filmed in 1990…
The primary appeal of Dominga Sotomayor’s Too Late to Die Young is its seductive portrayal of a liminal state. Set in a bohemian commune in…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Ryusuke Hamaguchi’s intimate epic of friendship between women, Happy Hour, was my favorite film of 2016, so needless to say Asako I & II, which…