Teddy feels awfully familiar and its bid at upsetting that template doesn’t quite work, but the Boukherma brothers at least present a clear sensibility that could…
Escape from Mogadishu is an utterly regressive film that exploits real-life tragedy and trades in offensive screen signifiers. Action movie maestro Ryoo Seung-wan’s latest film, Escape…
Naked Singularity is generic as a heist film and barely-conceived as science fiction, leaving almost nothing here to care about. Just about as unexciting as a…
Tsai’s latest, like the director’s best works, revels in the unexpected, sublime textures of daily routine and understated tenderness. Those familiar with Tawainese auteur Tsai Ming-liang will…
Lacking much in the way of an explored thesis, The Viewing Booth only musters the power of a gimmick. Talking about the patent-pending Interrotron in a 2004…
Swan Swan’s good intentions get lost amid its tonal disarray and narrative faceplants. Character actor extraordinaire Udo Kier takes center stage in Swan Song, writer-director…
John and the Hole mistakes ambiguity for depth at every opportunity, forgoing actual psychological probing in favor of shallow posturing. Tapped by Cannes for its theoretical…
All Hands on Deck dabble in tropes and archetypes, but still manages a vibrancy that keeps the film afloat. One of a number of Rohmer riffs…
In recalibrating its source material, The Green Knight often proves compelling, but it doesn’t always convince as a fully liberated work. “I see legends,” Gawain (Dev…
The Last Mercenary isn’t much as a JCVD actioner, but it’s modestly held together by the aging star’s pronounced comedic chops. Legendary action figure Jean-Claude Van…
Tailgate is a thriller in name only, mostly devoid of tension and entirely schematic. One wonders what exactly the point is of such a thoroughly incurious…
Jungle Cruise’s attempts at throwback family adventuring are lost to a miasma of awful VFX and greenscreen compositing. For some reason, Disney’s Jungle Cruise, a…
Outdated from its conception and only increasing its failures with each passing minute, Twist does Dickens seriously dirty. Twist, the latest adaptation of the Charles…
Fullt Realized Humans is a half-realized film, awkwardly sliding between authenticity and sitcom superficiality. Bland but inoffensive, Joshua Leonard’s post-mumblecore rom-com Fully Realized Humans resembles nothing…
Masquerade fails to clear even the lowest bar of a home invasion flick, delivering a late-film jolt that is far too little, too late. Like many…
The Boy Behind the Door doesn’t do much that hasn’t been seen before, but mostly works on the strength of its careful, expert craft. A tough,…
If Krabi 2562 fails to convince by its end, its argument is at least worth engaging with. Following a short film collaboration for the 2018 Thai…
Stillwater tiptoes around complex, potentially rich discourse without ever committing to any real ideological principle. Who is Tom McCarthy, really? Once a semi-successful TV actor, he’s…
Ride the Eagle is a slight, breezy affair that succeeds on the strength of its comedic charm and slick pacing. If you had another chance with…
Enemies of the State fails to probe deeply, content with its story’s sensational surface at the expense of more meaningful study. Produced by genius documentarian and…
Haruhara San’s Recorder The winner of FIDMarseille International Competition, as well as the recipient of its Best Actress award in that category, Haruhara San’s Recorder…