Spin Me Round, which bafflingly sidelines its most intriguing performer halfway through, ultimately offers little more than a light subversion of European vacay romcoms. Jeff…
Girl Picture is a pop-oriented confection of little substance, vapid writing, and seeming contempt for its characters. Alli Haapasalo’s Girl Picture is a confounding frustration. Set…
Human Flowers of Flesh Bouncing back from two years worth of Covid-related disruption while still riding out some major switch-ups and art direction, the Locarno…
Summering is a clichéd and ludicrous attempt at the coming-of-age tale, both thematically and tonally inept. It’s been nearly a decade since writer-director James Ponsoldt…
Like most of Yuasa’s feature-length works, Inu-Oh lacks the dimension of his small screen output, and indulges the director’s sloppiest storytelling instincts. Masaaki Yuasa simply…
Day Shift tackles familiar territory with refreshing style, breeziness, and memorably enjoyable characters, as well as delivering some of the year’s best action. Despite being a…
Mack & Rita is but the latest lame vehicle for Diane Keaton, a lazy body swap flick with little heart or humor to sell its concept.…
Free Chol Soo Lee doesn’t quite feel like a full exploration of its subject matter, but Ha and Yi’s act of excavation still ultimately proves moving.…
Patrick: So we’ve made it to the finale, Ryan. In our last correspondence I wrote of Assayas’ proclivity for compartmentalization, boxing different characters away once…
Fall is an utterly dull would-be thriller that squanders the visual possibility of its premise and trades only in inane melodrama. 2018’s Academy Award-winning documentary Free…
Aubrey Plaza remains one of our most intriguing stars, but Emily the Criminal imprisons its leading lady within anonymous old-school thriller retread. Anyone not already convinced…
El Gran Movimiento offers a thoroughly idiosyncratic and elliptical approach to the city symphony, one rooted in character and in which the spirit of the…
Laal Singh Chaddha is an abysmal Forrest Gump remake that eviscerates any sense of Zemeckis’ tonal control and bears none of that film’s emotional stakes.…
Like The Outlaws before it, The Roundup is a pretty basic cop movie, but director Ma Dong-seok spins it all into irresistible entertainment. In 2017, Ma Dong-seok, fresh off…
Please Baby Please It’s the rare film that proves capable of achieving genuine novelty, and even rarer to find one that manages to parlay novelty…
Easter Sunday is bad enough to make spending time with extended family start to seem appealing. A major studio releasing a film entitled Easter Sunday in…
This latest Ninja Turtles product is a narratively lazy and formally chaotic bit of empty IP. As long as one doesn’t stubbornly insist on a…
They/Them offers a surprisingly empathetic and graceful treatment of its LGBTQ-focused material, but its horror bona fides are more lacking. Blumhouse’s new slasher flick They/Them is…
This latest iteration of The Most Dangerous Game is nothing more than a shallow vehicle for bloodshed, and dull to boot. 1932’s The Most Dangerous Game,…
Bullet Train is an wholesale derailment, an inane, ’90s-styled crime caper built on comedy that isn’t funny and action that’s plagued by godawful execution. Early…
Prey doesn’t always hit high action points, but remains rousing late-summer entertainment largely on the strength of its intelligent and formally impressive setting switch-up. Almost exactly…