Skipping elliptically across 15 or so years in an economical 84 minutes, Pawel Pawlikowski’s Cold War tells of the tumultuous, postwar love affair between Wiktor…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…
A young woman, fed up with her life of toil and failed romance in the big city, returns to her family’s small farm in the…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…
Antonio di Benedetto’s novel, Zama, is renowned for its simplicity, with most paragraphs a mere sentence in length; Lucrecia Martel’s film adaptation is full of detail. Where…
There’s nothing in You Were Never Really Here that you haven’t seen before — but as the saying goes, it’s not always what your story is that…
Richard Linklater is a talented director, but it feels like he may be running out of ideas. Last Flag Flying, based on the Darryl Ponicsan…
Nearly every film Todd Haynes has made is a period piece, and throughout his career he has worked with production and costume designers who have…
Chinese artist and dissident Ai Weiwei takes a powerful look at the global refugee crisis in his new documentary Human Flow. Whether the refugees come from Syria,…
The stateside media-consuming public’s seemingly insatiable appetite for standup comedy product (The Comedian, Showtime’s I’m Dying Up Here, infinite podcasts) is the target audience of The…
Park Chan-wook’s career has largely been steeped in a particular fusion of twisty revenge narratives padded with philosophical implications. His latest, The Handmaiden, feels particularly…