Without Remorse is a delicious throwback to a time when a sturdy shoot-em-up was its own reward. Streaming services have absolutely become a pipeline…
Coming 2 America is a lifeless detour without any of the humor or incisive critique of the original. John Landis’ 1988 Eddie Murphy vehicle Coming…
The Orphanage can be flat and predictable for stretches, but it also tilts its formalism toward a playful character enough to suggest Sadat is worth…
The Map of Tiny Perfect Things is yet another time loop flick that fails to do anything to energize its exhausted conceit. Note to Hollywood:…
Bliss has its moments, but is ultimately far too satisfied with the faux-profundity of its deeply obvious ideas. Writer-director Mike Cahill is no stranger to…
Herself is a well-intentioned but ultimately one-note message film that fails to build any real power. A patron of the British arts, Phyllida Lloyd’s transition…
One Night in Miami finds power in its discourse and suggests King’s legitimate directorial chops in moments, but it fails to fully translate its stage…
Julia Hart shows promise but ultimately disappoints with I’m Your Woman, a film attempting to flip the crime genre on its head but only ending…
Education is Small Axe’s punctuation mark and the film that brings the entire project to an inspired and even celebratory conclusion. Regardless of whether one…
Alex Wheatle is the slightest of the Small Axe films in many ways, but it’s also perhaps the most instructive as to the project’s overarching concerns. Having…
Red, White and Blue is incisive and deeply felt, but its conclusions don’t quite feel big enough for its format. Having now seen three of…
With Lovers Rock, McQueen mostly turns down his directorial affectations and let’s the film’s beauty and joy act as guide. Steve McQueen has always been…
Dating Amber is a nice enough film in the way of so many other forgettable, generic coming-of-age efforts. Perhaps it should be taken as progress…
Mangrove too often gets lost in its dusty courtroom formula, but it at least boasts a human center that contrasts with the film’s trial spectacle.…
Sound of Metal is not the sonic game-changer that its marketing once suggested, but it works marginally better as a restrained, if formulaic drama. Sound of…
This Borat sequel is up to familiar antics but is far too sold on its own unearned sense of importance. 2006 was a much simpler…
Nocturne, while imperfect and visually deficient, nonetheless represents the best yet of Amazon’s Welcome to the Blumhouse collab. Part of the second batch of…
Evil Eye marks an improvement on the first wave of Welcome to the Blumhouse titles, but remains a mostly ineffective at developing either genre styling…