At this late stage in the coronavirus pandemic, it’s no surprise that the first of presumably plentiful documentaries devoted to the topic have begun…
A straightforward romantic drama that gradually reveals itself to be about something else entirely, Copilot is a modest success for about half of its…
Of Stan Brakhage’s ephemeral Desert, Fred Camper once wrote that “large and small, and inner and outer, worlds dance about each other in a…
The myth of Orpheus seems to tell us that in the face of overwhelming grief, the hardest thing to do is have faith that…
A bizarre parable that doubles as a kind of fractured fairy tale, The North Wind is a grab bag of vaguely surrealist tropes surrounding…
Within French cinema, it’s not hard to discern a tradition of films that revolve around groups of youngsters who spend their leisure summertime in…
The idea of an adaptation of Shakespeare’s As You Like It, set in an ultra-modern Taipei with an all-female cast, certainly sounds appealing. As does…
Eliding anything that could be considered a catalyzing event, Thai director Taiki Sakpisit’s feature debut The Edge of Daybreak is a film of buildups…
The Year Before the War begins with an impressive sequence shot; in closeup, workers methodically cut huge blocks of ice out of a frozen…
Sode Yukiko has no qualms with announcing her Aristocrats as a literary project, unveiling its status as an adaptation of the novel Ano Ko…
Mitra was a daughter and a revolutionary. In 1982, during the aftermath of the Iranian Revolution, she was among the thousands arrested by the…
At this point, it should go without saying that any Timur Bekmambetov production that features a plot “told entirely through social media and smartphone…
If there’s one all-too noticeable thread running through this year’s Sundance slate, it’s the presence of an unofficial COVID-themed lineup set apart by their…
It seems only appropriate that Wong Kar-wai would lend his name as producer to One for the Road, an epic melodrama from Thai director…
Knocking, a psychological thriller of sorts that details one woman’s deteriorating mental state as she’s driven mad by mysterious noises emanating from the apartment…
In 1971, after being cast in legendary filmmaker Luchino Visconti’s Death in Venice, 15-year-old Björn Andrésen was thrust into international fame after the director…
Nasir is a delicate, disquieting film that opens up into something far grander than its brevity and slice-of-life template would at first suggest. What’s immediately…
Window Boy Would Also Like to Have a Submarine thankfully manages to avoid status quo filmmaking but still feels somehow unfinished. There seems to be…