Jessie Buckley’s hesitant recitation of Bonedog — the achingly painful poem written by Eva H.D. — is one of the most memorably harrowing sequences in…
Filmmaker, artist, and animator Virgilio Villoresi’s first feature, Orfeo, made after years of directing short films, advertisements, and music videos, is a whimsical, finely crafted…
Isolationism breeds a variety of affects that spur those involved toward indelibly discrete action. In many, Sho Miyake’s latest, Two Seasons, Two Strangers, courses the…
Aquatic and crispy shades of green, ochre, and blue dominate Park Sye-young’s apocalyptic The Fin. The title serves a double-entendre, referring not only to the…
The canary, a songbird of the finch family, occupies an eminent place in avian symbolism, not least for its melodious birdsong, which in turn underscores…
The cold is often a conduit for ardent symbolism, whether in the frozen recesses of repressed memories or in the merciless invocation of human hubris…
Unlike the big three international film festivals (Cannes, Venice, and Berlin), Locarno does not traditionally feel an obligation to elevate domestic product into its competition.…
Tamara Stepanyan’s film In the Land of Arto begins with a service interruption that functions as a metaphor. Céline (Camille Cottin) is traveling by train…
Jérôme Reybaud’s concise, lacerating film A Balcony in Limoges appears at first to be an odd-couple comedy, albeit with unresolved psychological trouble churning under the…
Delicately unfurling as an introductory vocabulary lesson, one informed by the portraiture at the film’s core — that of the formidable Thi Hau Cao, a…
Seeking to reduce a filmmaker’s chief thematic preoccupation is usually a waste of time, for any one worth their stuff works in a storm of…
The decadent luxury and moral rot of extreme wealth; a location as isolated as it is idyllic; lithe young bodies glistening in sunlight; the churning…
In her first feature-length, solo directorial outing, Maureen Fazendeiro poses one of the most fundamental cinematic questions: how can we depict time? In 2021’s The…
Credit where it’s due: Dane Komljen is one uncompromising director. After his debut feature, 2016’s All the Cities of the North, enjoyed widespread acclaim from…
One of the least consequential but more intriguing facets of our age of technology acceleration is watching which flavor of tech nostalgia will be the…
Contrary to its name, the attention economy thrives not on attention, but on precisely that gray zone between awareness and unconsciousness which brings forth the…
As of this writing, filmmaker Alice Maio Mackay turned 21 less than a week ago. She has also just premiered her sixth feature length film…
Setting themselves far apart from most of the indie/DIY horror scene that focuses on squeaky exploitation thrills and slasher stuff (not that there’s anything wrong…
Taking place within Argentina’s great depression in 2001, Laura Casabé’s The Virgin of the Quarry Lake is an intriguing effort at blending various styles, themes,…
Writer/director Brandon Daley is juggling a couple of very disparate tones in his new film $POSITIONS, an absurdist comedy that gradually transforms into a white-knuckle…
A hero’s journey holds appeal not just to the outsiders who chronicle it, but also to the hero himself, for whom narration imparts structure and…