Shockingly similar to both Les Intouchables and its Americanized remake The Upside, Oliver Siu Kuen Chan’s Still Human is an empathetic social-realist drama with a…
There’s something to be said for good, old fashioned stories, told simply and told well. Furie isn’t breaking any molds; it covers well trod ground, the…
World cinema has come a long way in the last two decades when it comes to queer representation in film. Yet despite the growing amount…
Set on the Sino-Burmese border, Peng Fei Song’s second feature, The Taste of Rice Flower, tells the story of Ye Nan (Ying Ze), a young…
Ding (Fan Wei) is the director of a farm during the heyday of the second Sino-Japanese war. He’s been tasked by a group of shareholders…
Yang Li-chou’s documentary Father is about Chen Hsi-huang, an octogenarian master of the budaixi Taiwanese hand puppetry. He is the student, and oldest son, of…
YouTube has made it easier than ever to disseminate the solipsistic musings of just about anybody — as we all have a tendency to willingly…
Cai Chengjie’s feminist fable The Widowed Witch plays-out across a succession of rural, wintry landscapes, through which travels Erhao (Tian Tian), a thrice-widowed woman who’s…
Set toward the tail end of the Cultural Revolution, Bangzi Melody presents the life of a small village as its inhabitants go about the tasks…
The titular ‘land’ that’s ‘imagined’ in Yeo Siew Hua’s Golden Leopard-winning debut film manifests in two different ways, one explicitly physical (the ever-expanding continent of Singapore,…
Frequently inscrutable and often enveloped in literal darkness, Andrea Bussmann’s Fausto offers the latest (cinematic) rumination on the foundational myth of man’s dealings with the…
Director Mark Jenkin’s Bait is a fascinating curiosity. As a drama, it’s fairly basic, but also mostly effective: Martin & Steven Ward (Edward Rowe &…
Belonging opens with a voice-over delivering an admission of guilt, one coldly articulated by Onur (Çaglar Yalçinkaya), as he hastily divulges the details surrounding the…
God Exists, Her Name is Petrunya operates as a harsh critique of a deeply misogynist world. Teona Strugar Mitrevska’s understated Macedonian satire — often more brutal than…
In Dan Sallitt’s new film, focus is put on personal, rather than systemic, emotional responsibility. Fourteen is about an unbalanced friendship, one that might look…
Originally conceived of as a gallery performance, Albert Serra’s Roi Soleil is more than a filmed theatre piece or a mere record of a performance (although…
These days, Taiwanese master Tsai Ming-liang seems deeply interested in the tiny variations of approach available to him in presenting the images of his subjects…
Jia Zhang-ke has long been a master of conflating the personal and the political, charting large societal upheavals with a surprising intimacy. Ash Is Purest…
Based on a pair of memoirs, authored by father and son David and Nic Sheff — which detail the latter’s meth addiction and general self-destructive…
L. Cohen, the latest from American avant-garde director James Benning (and also a tribute to the late Canadian singer-songwriter), is a work of rare beauty —…
It’s not until around the 20-minute mark that Mori, the Artist’s Habitat fleetingly entertains a notion of conflict. An inn manager begs famed oil painter…