The grist mill of capitalism has no shortage of critics today, incisive policymakers and inane pedants alike who know too well the anonymous and alienated…
Filmmaker Julian Schnabel returns to a familiar topic with his In the Hand of Dante… sort of. The painter-turned-acclaimed filmmaker has dedicated most of his…
Aside from the late Jonas Mekas, Boston-based director Ross McElwee is probably the best-known practitioner of the diary film. For nearly 50 years, McElwee has…
Russian luminary Alexander Sokurov delivers another curveball. Following Fairytale, his 2022 animated feature about notorious leaders of the 20th century languishing in purgatory, Sokurov offers…
More than three years after Russia’s full-scale invasion of Ukraine, and over a decade after the annexation of Crimea, a desire to put the inner…
Jessie Buckley’s hesitant recitation of Bonedog — the achingly painful poem written by Eva H.D. — is one of the most memorably harrowing sequences in…
Filmmaker, artist, and animator Virgilio Villoresi’s first feature, Orfeo, made after years of directing short films, advertisements, and music videos, is a whimsical, finely crafted…
Isolationism breeds a variety of affects that spur those involved toward indelibly discrete action. In many, Sho Miyake’s latest, Two Seasons, Two Strangers, courses the…
Aquatic and crispy shades of green, ochre, and blue dominate Park Sye-young’s apocalyptic The Fin. The title serves a double-entendre, referring not only to the…
The canary, a songbird of the finch family, occupies an eminent place in avian symbolism, not least for its melodious birdsong, which in turn underscores…
Unlike the big three international film festivals (Cannes, Venice, and Berlin), Locarno does not traditionally feel an obligation to elevate domestic product into its competition.…
Tamara Stepanyan’s film In the Land of Arto begins with a service interruption that functions as a metaphor. Céline (Camille Cottin) is traveling by train…
Jérôme Reybaud’s concise, lacerating film A Balcony in Limoges appears at first to be an odd-couple comedy, albeit with unresolved psychological trouble churning under the…
Delicately unfurling as an introductory vocabulary lesson, one informed by the portraiture at the film’s core — that of the formidable Thi Hau Cao, a…
Seeking to reduce a filmmaker’s chief thematic preoccupation is usually a waste of time, for any one worth their stuff works in a storm of…
The decadent luxury and moral rot of extreme wealth; a location as isolated as it is idyllic; lithe young bodies glistening in sunlight; the churning…
In her first feature-length, solo directorial outing, Maureen Fazendeiro poses one of the most fundamental cinematic questions: how can we depict time? In 2021’s The…
Credit where it’s due: Dane Komljen is one uncompromising director. After his debut feature, 2016’s All the Cities of the North, enjoyed widespread acclaim from…
Contrary to its name, the attention economy thrives not on attention, but on precisely that gray zone between awareness and unconsciousness which brings forth the…
As of this writing, filmmaker Alice Maio Mackay turned 21 less than a week ago. She has also just premiered her sixth feature length film…
Taking place within Argentina’s great depression in 2001, Laura Casabé’s The Virgin of the Quarry Lake is an intriguing effort at blending various styles, themes,…