Whew! It’s only September, but here at InRO it does feel like we’ve lived through at least two of ’em, having successfully trawled through Cannes, Tribeca,…
The Palace At first glance, the Gstaad Palace looks like the last vestige of European aristocracy. The town of Gstaad, Switzerland itself catered only to…
Essential Truths of the Lake As yet another Hong Sang-soo project makes the rounds, surely to be followed in four to six months by another,…
River Director Yamaguchi Junta’s Beyond the Infinite Two Minutes was a delightful no-budget time travel comedy that hit the scene a couple of years ago,…
Red Rooms In 2002, Olivier Assayas’ Demonlover premiered in competition at the Cannes Film Festival to a storm of controversy, eclipsed — for better or…
Where the Devil Roams It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger film…
Nomad (Director’s Cut) One of the finest films of the Hong Kong New Wave, Patrick Tam’s Nomad (1982), plays at this year’s NYAFF in a…
Although Maria Speth is often associated with the so-called group of “Berlin School” cineastes, she might be the least internationally-recognized filmmaker of the bunch. Her…