With the ever prolific Romanian auteur delivering banger after banger at breakneck speed, it shouldn’t come as a surprise to anyone that 2025 is another…
The “end of the world” feels close for a group of Japanese teenagers in Neo Sora’s debut feature Happyend. Set in the not so distant…
Siyou Tan’s debut feature, Amoeba, screened at the Toronto International Film Festival under its Discovery section, introducing a fresh and candid new voice in Singaporean…
Opening on a failed suicide attempt, you’d never expect to dovetail into a charming and winding meet-cute over the course of a Christmas Eve. Yet…
“You tell me things I never found in Plato or Hegel.” Romantic expressions like this abound in Isiah Medina’s latest, Gangsterism, a film noir set…
Carlos Reygadas’s Silent Light (2007) premiered at the Cannes Film Festival in 2007, where it won the Jury Prize, and has since remained one of…
In the late 1950s, Brazilian footballer Didi introduced a new technique for kicking the ball, the so called “dry leaf.” Much like a leaf falling…
It’s always fortuitous for a documentary filmmaker to find themselves able to capture seismic historical shifts as they are happening. But of course, this is…
Greek filmmaker Athina Rachel Tsangari’s work has always defied easy classification. In Harvest, her fourth and most ambitious feature, villager accents and clothing, along with…
“You can’t be a spectator. You gotta take these dreams and make them whole.” After over a decade of releasing music, Pulp’s Different Class album…
In Soñé Su Nombre (“I Dreamed His Name”)…
Following Pacifiction, his seventh and most technically elaborate narrative film, Albert Serra did something unexpected: he produced his first full-length documentary. Afternoons of Solitude is…
Karl Marx’ oft-cited quip about how history repeats itself, “first as a tragedy, second as a farce,” could easily apply to Special Operation, Oleksiy Radynski’s…
It all starts with a bang. Sirât immerses itself into a spectacular DIY rave in the Moroccan desert, before its narrative kicks off proper. Engulfed…
Eugene Kotlyarenko is a filmmaker invested in making sense of our current technology-driven world. His camera frame often has live action footage sharing the screen…
The soldiers of Roberto Minervini’s The Damned play cards, wander around, and casually debate theology. The year is 1862, and these Union soldiers find themselves…
Jia Zhangke’s Caught by the Tides, currently in U.S. theaters after initially premiering nearly a year ago at the 77th Cannes Film Festival in May…
It makes sense that Joel Potrykus has remained a Michigan filmmaker his entire career. His rebellious, don’t-ask-permission attitude is right at home in a state…
The two sequences that form the beginning of Dea Kulumbegashvili’s April set a mood of violent unease. We follow a faceless creature, vaguely humanoid despite…
After 2021’s El Planeta, Amalia Ulman ups the ante with her second feature, Magic Farm, in every conceivable way. Black-and-white cinematography here gives way to…
I was not surprised that I was deeply charmed by young Joel Alfonso Vargas’ Mad Bills To Pay, which screened at this year’s New Directors/New…