Llosa does her best to capture the delirium of the source material, but Fever Dream can’t quite sustain its dizzying, eerie tenor. Claudia Llosa’s Fever Dream is…
Night Teeth is a generic, derivative DTV trifle that fails to make its vampire story vampy enough. Onto the heap of DTV detritus you can now…
Diana: The Musical is a tacky and tactless propanada mission that subverts its own fun flashiness with remarkable bad taste. When I was thirteen, I was…
The Guilty should be primed for easy thrills, but Fuqua’s bland direction and the Scriptwriter 101 screenplay sap the film of any tension. Antoine Fuqua has…
The Starling is merely the latest by-the-numbers “issues” flick in Theodore Melfi’s bland filmography. It seems that director Theodore Melfi has never met a subject where…
Kate isn’t doing anything new from an action-narrative perspective, but slick choreography and gleeful violence helps this girlboss brutality go down smoothly. Kate, a female…
The Old Ways is a mid-budget genre gem with a few tricks up its sleeve to keep these fresh. Possessions and exorcisms have been a…
He’s All That is a lazy, purely nostalgia-driven dud that rehashes without imagination or innovation. The very real nostalgia that exists for 1999’s She’s All…
Beckett rides the talents of its stacked crew to the most generic possible destination. On paper, Beckett would seem to hold plenty of promise. Directed by…
Vivo starts strong under Lin-Manuel’s distinctive brand, but veers into the realm of recycle in its disappointing back half. Few performers are more divisive in our…
The Last Mercenary isn’t much as a JCVD actioner, but it’s modestly held together by the aging star’s pronounced comedic chops. Legendary action figure Jean-Claude Van…
The Last Letter from Your Lover is an utter misfire, devoid of the chemistry and coherent performances necessary to sell its ostensible romance. Like so many…
The final Fear Street entry is something of a mixed bag, thriving in its eponymous past setting but floundering a bit as the series comes…
Gunpowder Milkshake is a dog of a film, utterly derivative and lacking in any recommendable action spectacle. Take the weird mythology of the Johns Wick, the…
Fear Street Part 2 improves on Part 1 in nearly every way, a slick slasher of high energy, genre play, and legitimate pathos. The second film in…
This first Fear Street entry suggests possible upward momentum for the trilogy, but disappoints as a slasher in its own right. There’s promise to Fear…
Good on Paper wittily upsets rom-com conventions, but doesn’t produce much substance beyond this initial fake-out. Following a string of stand-up specials and a sketch…
No Sudden Move is another successful crime caper from Soderbergh, as formally and tonally playful as his best efforts in the genre. The endlessly versatile Steven…
America: The Motion Picture is a dopey, dated take-down of American exceptionalism that occasionally hits its target. America: The Motion Picture, the debut feature from Frisky…
Dynasty Warriors buries its littered, low-key strengths under a deluge of CGI nonsense. What does it mean to adapt the video game series Dynasty Warriors,…
Prime Time is all the more terrifying for its refusal to pathologize its lead in any easy way. Set on the eve of the millennium,…