Single All the Way is as delightful and infectious as Hallmark-styled holiday films should be, and marks Netflix’s first such success in his arena. Netflix’s new…
The Summit of the Gods proves that the new subgenre of mountaineering movies can successfully and beautifully extend to the world of animation. The rapidly…
Bruised is a dumb, derivative riff on Rocky, yet another work of deglamorization that fails to scrape beyond its grimy surface. It seems only appropriate that a…
Procession is a work of communal catharsis, applying Greene’s particular documentarian inclinations to emotionally potent ends. Certain films allow cinema to display its unbridled capacity for…
The Power of the Dog gains considerable power in its back half, but Campion ultimately leaves too much simply twist in the wind. The narrative of…
Prayers for the Stolen is blunt to the point of crassness and riddled with manipulative cliché. Making its way over to NYFF after picking up a…
tick, tick…BOOM! fails to live up to its explosive title, unimaginatively relying on built-in Broadway love and the myth of its subject. It’s only taken Lin-Manuel…
Red Notice is as close to an algorithm-written film as the world has yet had the displeasure of viewing. A few years back, there was a…
Jimmy O. Yang makes for an unconventional, likeable lead, but Love Hard is an otherwise frothy and disposable holiday trifle. The bafflingly titled Love Hard would seem…
A Cop Movie is a clever deconstruction that doesn’t add up to much more than a grab bag of meta elements, but it at least seems…
Gleefully violent and hyper-stylish but ultimately empty and overlong, The Harder They Fall ultimately manages only to trade in well-worn tropes and clichés. The Harder…
Passing’s insularity is both a blessing and a curse, but its internalized emotions simmering just beneath the surface manage to speak volumes. Based on the…
Llosa does her best to capture the delirium of the source material, but Fever Dream can’t quite sustain its dizzying, eerie tenor. Claudia Llosa’s Fever Dream is…
Night Teeth is a generic, derivative DTV trifle that fails to make its vampire story vampy enough. Onto the heap of DTV detritus you can now…
Diana: The Musical is a tacky and tactless propanada mission that subverts its own fun flashiness with remarkable bad taste. When I was thirteen, I was…
The Guilty should be primed for easy thrills, but Fuqua’s bland direction and the Scriptwriter 101 screenplay sap the film of any tension. Antoine Fuqua has…
The Starling is merely the latest by-the-numbers “issues” flick in Theodore Melfi’s bland filmography. It seems that director Theodore Melfi has never met a subject where…
Kate isn’t doing anything new from an action-narrative perspective, but slick choreography and gleeful violence helps this girlboss brutality go down smoothly. Kate, a female…
The Old Ways is a mid-budget genre gem with a few tricks up its sleeve to keep these fresh. Possessions and exorcisms have been a…
He’s All That is a lazy, purely nostalgia-driven dud that rehashes without imagination or innovation. The very real nostalgia that exists for 1999’s She’s All…
Beckett rides the talents of its stacked crew to the most generic possible destination. On paper, Beckett would seem to hold plenty of promise. Directed by…