Moon, 66 Questions is a film that thrillingly channels the ebbs and tides of both physical movement and emotional trauma to affecting results. Moon,…
We’s length is felt perhaps a bit too much, but it’s ultimately a visually rich and vigorous film that locates a warm humanity with…
Apples boasts a rich starting premise, but too often undermines its conceptual potency with obvious punchlines and lazy sentimentality. What would society look like…
We’re All Going to the World’s Fair is a bold, terrifying portrait of the Internet’s isolation/connection dichotomy. There’s something bracing about encountering a genuine oddity…
Rock Bottom Riser is a work which regrettably shoehorns haptic political messaging into its otherwise incredible footage. Located somewhere in the Pacific Ocean — a…
Faya Dayi is the best kind of documentary, one that eschews prefab forms and instead finds mesmerizing beauty in the quotidian. Programmed as part of…
Eyimofe is yet another sub work sliding in neatly under the exhausted moniker of European art house. Imagine, ever so briefly, that you’re actually…
All Light, Everywhere is a Herculean effort meriting praise, but one in which the parts prove more impressive than the whole. If it hadn’t…