Sion Sono’s The Virgin Psychics is one strange movie, though not for the reasons his films are usually strange. True to its title, this…
The jarring, discordant tones present in Tag are established within just the film’s first few images, which juxtapose an ominous helicopter shot of school buses and the…
There’s a moment at the end of Love & Peace, an otherwise lumpy adult fairy tale, where the story threatens to come to a satisfyingly destructive head.…
Shinjuku Swan, an adaptation of Ken Wakui’s manga series, finds director Sion Sono at his slickest, glossiest, and most impersonal. Set in the bustling…
Though the presence of Shota Sometani, the tortured lead actor of Sion Sono’s Himizu—who’s even sporting the same gray hoodie he wore in that previous film—establishes…
There’s a moment late in Why Don’t You Play in Hell? that neatly sums up Sion Sono’s distinctive vision. A boy crawls through a…
Sion Sono’s near-masterpiece Himizu takes place in the shadow of the 2011 Tohoku earthquake and tsunami and ensuing Fukushima Daiichi nuclear meltdown, the largest…
An unfulfilled housewife drifts away from her mannered husband by selling her body whenever he’s away in Sion Sono’s Guilty of Romance—a film that seems in…
Despite its 2012 release, Bad Film captures a Sion Sono before he reached international acclaim; before his particular brand of otaku-influenced action films; and before…
Only in a filmography as stylistically restless and formally anarchic as Sion Sono’s would a somber family drama like The Land of Hope be considered a…
Sion Sono’s Love Exposure is an epic, four-hour romantic comedy about terrible fathers, upskirt photography, Catholicism, and the meaning of love. Where Sono’s Bicycle Sighs could be…
One task of the critic is to place a film within the context of its artist’s entire body of work, looking for recurring themes, motifs,…
An anomalous tearjerker from Sion Sono couched between some of the director’s most outré genre eruptions, Be Sure to Share channels Sono’s own grief over…
When the director of a film is also its screenwriter it’s relatively safe to assume that what you’re watching—outside interference notwithstanding—is a story that they…
Though it sports a few grisly images of its own, Noriko’s Dinner Table borrows most of its bloodshed from its companion film, Suicide Club.…
Pull any Sion Sono movie off the shelf and chances are somebody somewhere has called it his “most extreme.” With a filmography as pervasively…
If there’s one word that beats at the heart of the violent, restless Hazard, Sion Sono’s 11th film, it’s “transcendence.” Nominally a crime story about a…
An early moment in Sion Sono’s 2005 feature Into a Dream finds dorama actor Mutsugoro Suzuki (Tatsushi Tanaka) attending a low-budget Japanese-language staging of A Streetcar…