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Hong Sang-soo

by InRO Staff Features Festival Coverage

New York Film Festival 2017 – Dispatch 2

October 3, 2017
Lover for a Day

In our second dispatch from this year’s New York Film Festival (the first is here), we take a look at the veteran Polish filmmaker Agnieszka Holland’s “quietly radical” Spoor; the contemporary political implications of “Berlin School” director Valeska Grisebech’s neo-western, Western; two black-and-white films about infidelity, Hong Sang-soo’s The Day After and Phillipe Garrel’s Lover for a Day; and the NYFF’s Opening Night selection, Richard Linklater’s Iraq War-era dramedy, Last Flag Flying.…

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by InRO Staff Features Festival Coverage

New York Film Festival 2017 – Dispatch 1

September 29, 2017
On the Beach

Most seem to agree at this point that the Cannes Film Festival’s competition line-up was not good this year. While the New York Film Festival’s main slate includes more than a few of the same selections, the films that didn’t make the cut are especially noteworthy: Michael Haneke’s cynical, typically mean-spirited career rehash Happy End; Sergei Loznitsa’s miserablist slog through Russian bureaucracy, A Gentle Creature; Michel Hazanavicius’s insulting Jean-Luc Godard biopic Redoubtable; and Fatih Akin’s flat-out offensive jihadist commentary-cum-revenge flick, In the Fade.…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Dispatch 3

October 20, 2016
tower

The 35th Vancouver International Film Festival wrapped on October 14th, capping a two–week marathon of cinema gorging. This third and final dispatch covers two acclaimed holdovers from the Locarno Film Festival, The Dreamed Path and The Human Surge; films from Eugene Green (Son of Joseph) and Hong Sangsoo (Yourself and Yours); a writer biopic, Nelly, from French-Canadian…

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