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Interscope

#KickingtheCanon by Paul Attard Music

Eminem | The Slim Shady LP

December 1, 2018
Eminem2

In the winter of 1996, Marshall Mathers put everything on the line. Under the moniker of Eminem, he had been making waves in Detroit’s underground battle rap scene for about half a decade, supporting his family with various odd jobs with the hope his dedication would one day pay off. After signing to independent label Web Entertainment, he was about to finally get his shot with the release of a debut record that was destined to make or break the young MC.…

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by Joe Biglin by Paul Attard Feature Articles Music

What Would Meek Do? | Issue 4

December 1, 2018
Mat Oxx

In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek Do? — in which SoundCloud junkies Paul Attard and Joe Biglin run down some of the latest rap releases. The fourth issue of What Would Meek Do? features takes on the new collaborative project from Future and Juice WRLD; promising debuts from the barely-teenaged Matt Ox, and from South Korean prospect Keith Ape; under-the-radar releases from ferocious duo…

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#PopRocks by Paul Attard Music

Robyn | Honey

November 2, 2018
Robyn (2018)

Publicity

If Ariana Grande’s Sweetener was the feel-good pop project of the (late-ish) summer, focusing on the catharsis of newfound love (at the time…), then Robyn’s Honey is the melancholy-ridden antithesis, appropriately dropped in the middle of fall. The Swedish singer’s eighth album streamlines emotional distress into a series of mini-narratives that ruminate on the subjects of loss, endurance, and recovery — sometimes simultaneously. Opener “Missing U” telegraphs its volatile feelings through a whirlwind of glittering synthesizers, with the steady, thumping bassline providing a sense…

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#PopRocks by Sam C. Mac Music

M.I.A. | AIM

September 29, 2016
mia

“Who said it was easy?/They can never stop we” sings the most put-upon recording artist of the last decade — an artist who’s never stopped pulling up her people even as she’s endured pop culture’s repeated persecutions. It’s from the last song on what may be the 41-year old provocateur’s final album, AIM, and it’s as summative an emotional statement as “Borders,” the set’s opener and lead single, is a thematic one: This is an album that makes a negotiation…

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by Paul Attard Music

Rae Sremmurd | SremmLife 2

September 6, 2016
SremmLife 2

If there were a kingdom for party music, brothers Swae Lee and Slim Jimmi of Rae Sremmurd would be its anointed princes. The two came out of nowhere when, last year, their debut album SremmLife went gold, fulfilling the promise of the two hits that preceded it, “No Flex Zone” and “No Type.” While the duo continued to dominate that airwaves that summer, it’s been surprising since to see this album cycle’s slew of singles go largely ignored. Not a one of these songs is bad,…

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