In This Issue:

FEATURES:

CANNES FILM FESTIVAL: Monster (Hirokazu Kore-eda) by Lawrence Garcia   //    Only The River Flows (Wei Shujun) by Micahel Sicinski   //   Marguerite’s Theorem (Anna Novion) by Andrew Dignan   //   The Pot-au-Feu (Trần Anh Hùng) by Emilio Diaz   //   A Prince (Pierre Creton) by Michael Sicinski   //   Vincent Must Die (Karim Leklou) by Daniel Gorman   //   Legua (João Miller Guerra & Filipa Reis) by Michael Sicinski   //   Omen (Baloji) by Sarah Williams

KICKING THE CANON: janet. (Janet Jackson) by Nick Seip   //   The Terrorizers (Edward Yang) by Anand Sudha

 

FILM REVIEWS:

The Little Mermaid (Rob Marshall) by Travis DeShong   //   You Hurt My Feelings (Nicole Holofcener) by Andrew Dignan   //   Reality (Tina Satter) by Owen Vince   //   Will-O’-The-Wisp (João Pedro Rodrigues) by Ryan Swen   //   The Potemkinists (Radu Jude) by Esmé Holden   //   Kandahar (Ric Roman Waugh) by Daniel Gorman   //   About My Father (Laura Terruso) by Steven Warner   //   Stay Awake (Jamie Sisley) by Conor Truax   //   Unclenching the Fists (Kira Kovalenko) by Morris Yang    //   Robots (Casper Christensen & Anthony Hines) by Morris Yang   //   Influencer (Kurtis David Harder) by Emily DuGranrut   //   White Balls on Walls (Sarah Vos) by Conor Truax

 

ALBUM REVIEWS:

Gag Order (Kesha) by M. G. Mailloux   //   My World (Aespa) by Kayla Beardslee   //   The Album (Jonas Brothers) by Andrew Bosma

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