SoundCloud junkies Paul Attard and Joe Biglin run down some rap releases from the months of December and January in the latest What Would Meek Do?.…
It’s been 20 years since game-changer The Blair Witch Project hit cinemas, and yet the found-footage horror sub-genre is going strong. Just last year, both the well-regarded horror sequel Unfriended: Dark…
The music of Ray Charles always sounded like freedom. On his early sides for Atlantic, he was a man unencumbered by the conventions of genre, gleefully innovating…
Our new monthly music feature, Rooted & Restless, finds country music aficionados Josh Hurst and Jonathan Keefe wading into all things Americana, expanding the definition…
For those who still associate Rivers Cuomo with the confessional and unabashed awkwardness of Pinkerton, an album of estimable emotions that seems to have been released…
In Alex Lehmann’s Paddleton, Mark Duplass and Ray Romano play Michael and Andy, a couple of sadsack, socially awkward, loser neighbors who have struck up…
All Summer Long signals the beginning of the end of an era for the Beach Boys: the soon-to-be pioneers hadn’t yet ditched their upbeat, California surf-rock,…
The 69th Berlinale ran from February 7 – 17. Our own Joe Biglin was there, and is continuing to file dispatches from the fest (delayed due…
If A City of Sadness represents Taiwanese director Hou Hsiao-hsien’s greatest achievement to date — an assessment that its Venice Golden Lion and long-standing reputation would seem to…
It is the proclivity of many a film-watcher to make a director’s body of work conform to a linear narrative — and while it isn’t rare that a filmmaker winks at, and…
PJ Harvey had already infiltrated the mainstream by 1995, thanks to two of her early singles (“Sheela Na Gig” and “50ft Queenie”) earning medium rotation on…
As we expressed in our other major 2018 catch-up feature, it’s a fool’s errand to try and cover every worthy release from a particular genre in a given calendar year.…
A few months after the release of her self-titled debut, a then fresh-faced Madonna went on American Bandstand to perform one of her album’s biggest hits:…
Music to Draw To: Io is an hour-plus of carefully wrought, beat-light technical wizardry; it’s an album devoted to childlike wonder, so much so that it…
As far as contemporary pop stars go, Future was always somehow simultaneously the surest, and the least sure, bet: In the context of current rap, his success makes perfect sense,…
James Blake sings the quiet parts loud; now a decade into his career, his arc is best charted through the evolution, and presentation, of his own introversion. Blake’s…
Before the eye paint, the brain-dead political anthems, and their embrace of radio-friendly sensibilities, Green Day was a raggedy assembled trio of stoner misfits with…
Any talk of this film would be remiss without mention of its legendary tagline: “He came into town with his cock in his hand, and…
Through its ongoing effort to inundate viewers with as much content as possible, Netflix presents Revenger, a mostly boring action movie starring Bruce Khan, a stunt man and former Jackie…
“Seen through the wrong end of a telescope, an ordinary scene becomes an ancient story. No, it’s not nostalgia! It’s heartache for all that’s lost.”…
Pavement’s debut album, a sui generis cornucopia of fuzz-box riffs and unwonted lyrics, opens with the best song the band ever recorded, maybe the best…