Archenemy nicely compensates for its budget with some bits of visual aplomb, but it amounts to little as the film frustratingly spends most of its…
The New Directors/New Films festival has emerged in recent years as a major player on the festival scene, programming such diverse heavy-hitters as Black…
To the casual observer, viewing someone else’s relationship from the outside, there often appears to be a sense of unity, cohesion of the somatic…
Detention recommends director John Hsu’s future efforts, but this debut effort falls mostly short of the mark. John Hsu’s debut feature Detention isn’t so much…
All My Life adopts the familiar form of any number of tragic romances without building any depth into its vision. Jessica Rothe is undoubtedly one…
76 Days’ rhythms are occasionally uneven, but it remains a fascinating glimpse at one of the defining crises of our times. There’s a harrowing…
Red, White and Blue is incisive and deeply felt, but its conclusions don’t quite feel big enough for its format. Having now seen three of…
Despite its misguided ending, Let Them All Talk remains a refreshingly open-ended and low-stakes pleasure. In the past decade, Adam Sandler has been regularly…
Anything for Jackson successfully manages the tricky balancing act of melding early comedy into outright terror. As festival season has gone mostly digital this year,…
Much like its main character, Another Round is a film firmly situated somewhere between thrill and disappointment. The 19th-century French poet, Charles Baudelaire once wrote,…
Nomadland’s delicate attention to storytelling tradition unfortunately gives way to conventionality in the film’s back half, displacing its early promise. Having just taken the…
Black Bear is a challenging diptych study of life and art, and the blurred, impenetrable intersection of the two. In the debate between mimesis and…
While perhaps slightly more superficial than a typical Morris, My Psychedelic Love Story is still another successful entry in the director’s continuing interrogation of late-1960s…
Mosul nails its action spectacle and kinetic foundation, but it is ultimately only able to conceive of its subject matter in war movie clichés. Yet…
With Lovers Rock, McQueen mostly turns down his directorial affectations and let’s the film’s beauty and joy act as guide. Steve McQueen has always been…
Superintelligence undermines its innocuous silliness and any potential rom-com aspirations with needlessly complicated stakes and a fixation on its own high concept. There’s a genuinely…
Happiest Season is trite, platitude-heavy Christmas offering that fails on nearly every front. Five years ago, when Todd Haynes’ Carol hit theaters, a moment was marked in…
Dreamland is a beautiful, lite-Malickian effort than smartly boasts both gorgeous, mythopoeic expositions and thrilling storytelling. Set during the Great Depression and amidst the dusty…