“Sensuous,” “gorgeous, “evocative” — such descriptors are perhaps too easily applied to Ash Mayfair’s The Third Wife, a film that, from its opening frames, seems…
More generationally distinctive than his recent output, Olivier Assayas’s latest, Non-Fiction, engages with a specific vein of cultural discourse regarding technology: e-books as a corruption…
In the year 2019 we have ourselves an honest-to-goodness, totally authentic film maudit, Brian De Palma’s new whatsit Domino. Barely completed, abandoned by its producers…
The Souvenir is that rare kind of great film, one that teaches you how to watch it as it goes on. There’s a constant tension…
‘Batman of the barrio’ makes for an enticing logline, and Ben Hernandez Bray’s El Chicano presents itself as “the first Latino superhero movie.” But good…
“You know, I grew up around black people my whole life. I mean, if the truth be told, I probably know n***** better than you.…
DC and Marvel have been publishing special, out-of-continuity comic books for decades, usually (but not always) under their respective “Elseworlds” and “What If?” banners. It’s…
The Lonely Island crew has a new project, a bizarre inside joke that has spawned a 30-minute Netflix special, awkwardly titled The Unauthorized Bash Brothers…
As well all know, 20th Century Fox has been purchased by Disney, and the X-Men are now under new management, presumably to be re-exploited and…
It’s fascinating to watch a movie come out and gross hundreds of millions of dollars, while also barely making a blip on the American pop…
Where 2014’s Godzilla tried to take its cues from Ishiro Honda’s iconic 1954 introduction to the character, the new Godzilla: King of the Monsters skews a…
The Professor and the Madman arrives with an awful lot of baggage for such a modest, unassuming movie. As detailed by Nick Shager in a…
Amy Poehler’s Wine Country barely qualifies as a movie – it’s essentially a vacation slideshow featuring a who’s who of industry funny women. Much like Alexander Payne’s…
Chinese filmmaker Lou Ye’s The Shadow Play is a vicious work that descends into the depths of corruption in both a private enterprise (the events…
Lou Ye’s 2014 film Blind Massage marked a transition for director, one that took him into broadly more commercial territory for the first time. Based…
Despite Lou Ye’s reputation for pushing the boundaries of Chinese censorship guidelines – due to his often frank and incisive takes on politics, gender, and…
Love and Bruises, which Lou Ye made during his five-year, government-imposed ban from filmmaking in China, is a tale of l’amour fou set, appropriately enough,…
A film built upon gay male hypersexualization overlaid with some hamfisted prose, Spring Fever turns the sadness of being gay and Chinese into a dry…
There’s something clunky about the title John Wick Chapter 3: Parabellum. Parabellum means “prepare for war”, and this third entry in Keanu Reeves’ saga of…
It’s probably safe to say that Sylvia Chang’s Love Education is the kind of film that is impossible to get made in America at this point in…