Any number of filmmakers can fittingly have their work characterized as “vibrant,” but very few filmographies feel as alive as that of Olivier Assayas.…
“I see so much, burns my eyes.” – Godflesh, “Xnoybis” (1994) “I can see, I can see, I’m going blind.” – Korn, “Blind” (1994)…
Pop quiz, hotshot: if a city bus is rigged with explosives and speeding down the highway at 50mph, what is the probability that Keanu…
“The problem with Forrest Gump is it made a billion dollars. If we’d just made a successful movie, Bob and I would have been…
1994’s Serial Mom marked something of a turning point for writer-director John Waters. A filmmaker who built his name and reputation on such outre,…
Bedford-Stuyvesant, Brooklyn, summer of 1973. A kid yells from the fire escape outside a brownstone window to his friends on the street below. A…
How lucky would one be to have the opportunity to listen to Definitely Maybe while remaining blissfully ignorant of the very inflated egos of…
Pedro Costa has long been celebrated for his loose Fontainhas trilogy, a series of docu-fiction hybrids made in collaboration with residents of the former…
In many ways, Tsai Ming-liang’s Vive L’amour follows (or establishes, given its chronological situation within his filmography) many of the director’s most characteristic tendencies. From…
In many ways, Tsai Ming-liang’s Vive L’amour follows (or establishes, given its chronological situation within his filmography) many of the director’s most characteristic tendencies.…
After writing the early blueprint for ’90s R&B, Mary J. Blige laid out her own musical foundations on 1994’s My Life. The influence of…
Nobody denies that Johnny Cash was a legend; his mythos looms large in Ken Burns’s Country Music documentary, as good a bellwether as any for how Cash remains…
Our monthly music feature, Rooted & Restless, finds country music aficionados Josh Hurst and Jonathan Keefe wading into all things Americana, expanding the definition…
It’s somewhat curious that Guided By Voices has so comfortably settled into its position on the Mount Rushmore of ’90s indie rock. That their…
By the mid-1990s, the political ambitions of what is known as the liumang generation — literally, “hooligans” — had devolved from a battle cry…
The literal translation of Don’t Be Young’s Chinese title, “Wei Qing Shao Nu,” means “Emotional Young Lady”— and it is, in many ways, a more…
In 1982, Grandmaster Flash and the Furious Five released what’s largely considered the first ‘conscious’ mainstream rap single, “The Message,” a harrowing seven-minute journey…
SoundCloud junkies Paul Attard and Joe Biglin run down some rap releases from the months of February and March in the latest What Would…