The 16th annual New York Asian Film Festival (June 30th – July 16th) is now nearing the end of its two-week run. Our first dispatch included films from…
Admirers of David Lowery’s third feature (and second with stars Rooney Mara and Casey Affleck, after 2013’s Ain’t Them Bodies Saints) have and will point…
To kick off the 2016 Vancouver International Film Festival, there are perhaps few more fitting titles than Alison Maclean’s long-awaited follow-up to her 1999 film…
Fanboy darling Edgar Wright has certainly earned his reputation as a passionate pastiche artist and intricate stylist; his genre-infused films pair narratives of arrested male development with whiplash camerawork…
#8: It Comes at Night Download episode here. Listen to episode here. Episode Description: On this week’s episode we head to the movie theater and check…
In her promising first feature, A Girl Walks Home Alone at Night, Iranian director Ana Lily Amirpour forewent the feminist messaging her film’s title might…
Utterly adventurous, João Pedro Rodrigues’s dizzying and highly personal The Ornithologist is loosely based on the life of St. Anthony of Padua and unfolds in the…
The 2017 BAMcinemafest kicked off yesterday, and it offers, frankly, a much more exciting lineup than did this year’s Cannes—especially if you have a vested…
An auteurist invention of the highest order, Matías Piñeiro’s ongoing “Shakespeare series” is the ideal platform to showcase the Argentinean director’s enticing and increasingly unique…
Continuing from last week’s film coverage, InRO now turns its focus to highlighting memorable music releases in 2017 so far. This includes a labeled “playlist”…
2017—so far at least—hasn’t been spectacular. In between the deaths of beloved auteurs like Jonathan Demme and Seijun Suzuki, you had 25 beating Lemonade at…
Recalling the softer screwballs of the 1930s—or, more specifically, modern imitations of those classics—This Is Not What I Expected is essentially You’ve Got Mail—except with the two…
China retrofit its communism with capitalism, so why shouldn’t it augment an Eternal Sunshine of the Spotless Mind-indebted premise with the procedural plot points of Minority Report?…
Starting out as a bit of meta-commentary on a notorious massacre, Anocha Suwichakornpong’s By the Time It Gets Dark quickly and deliberately questions its own point of…
Though Terence Davies was absent from the Vancouver International Film Festival in 2015, his Emily Dickinson film A Quiet Passion makes its appearance this year…
Alan Mak and Felix Chong, two-thirds of the team behind the very good Infernal Affairs series and the prime movers of the mediocre-at-best Overheard trilogy, team up again for Extraordinary Mission, a…
Give Nacho Vigalondo’s latest points for being consistently unpredictable: it’s a monster movie, in a sense, but the monsters turn out to be analogous for its…
“Everything disgusts me,” exclaims dying King Louis XIV (Jean-Pierre Léaud). The most disgusting thing present? The repulsive nature of aristocracy, laid out in full view…
Alice Lowe’s character in Ben Wheatley’s Sightseers was named Tina; in her own directorial debut, Prevenge, she plays Ruth. Really, though, the different names don’t matter:…
That advice may well be applied to Olivier Assayas’s slippery, sensual Personal Shopper, which does for horror what Irma Vep (still the high watermark of…