I’m Thinking of Ending Things is a masterful and surprising adaptation from Charlie Kaufman, a work of towering humanism braced by an exquisitely disorienting aesthetic.…
Centigrade doesn’t do much as a character-driven chamber piece, but it’s served well by an attention to detail and the ability to build genuine tension. In…
Kris Rey’s latest has moments that delight, but the final product feels distinctly undercooked. Kris Rey (formerly known as Kris Swanberg) is no stranger to…
The Pale Door is a tonally mismanaged botch job that unsuccessfully cribs from stronger genre entries. There’s a bit of a shared cinematic history between the…
An effort of self-serious arthouse aspiration, Song Without a Name brings nothing new to the table. Melina León’s Song Without A Name is representative of a…
Out Stealing Horses is a lame prestige film knockoff that trades in empty platitudes. Based on the acclaimed 2003 Norweigan novel of the same name, the…
Sputnik is competently made but lacks the necessary suspense and horror to elevate it past mere adequacy. Here’s another sci-fi flick that plays like an extended…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Alone John Hyams’ new film Alone is a minor miracle. A terrifically tense thriller pared down to the barest essentials, it is survival horror in…
The One and Only Ivan is an intentionally inclusive, surprisingly unbusy animated offering from Disney. Over the past few weeks, Disney has gone on a bit…
Peninsula is admittedly better than most recent zombie fare, but is reflective of an overall cinematic failure to innovate the genre. The zombie film is, at…
Spree represents a futuristic cinema, engaging both new media modes and psychologies of the digital age in a vision both appealing and deeply frightening. Spree is…
Words on Bathroom Walls is emotionally manipulative and easy to mock but has moments that are genuinely affecting. Broadly speaking, film has not exactly been kind…
Patrick The elevator pitch for Patrick immediately calls to mind Lukas Valenta Rinner’s A Decent Woman — both films are outré comedies set in the…
Boys State is an illuminating portrait of the ills of the American electoral process, but somewhat undermines its own power with idealistic platitudes. We live in…
La Llorona understands how to the tick the genre boxes but forgets to muster much in the way of actual horror. The horror genre has long…
Almereyda’s Experimenter-style mode is not as organic of a fit for the often compelling but ultimately overburdened Tesla. Having risen to renewed prominence on the indie…
Project Power keeps the maniac Neveldine/Taylor aesthetic alive and is another welcome Netflix foray into small-scale superhero entries. There’s a new designer drug on the streets…
Yummy is exclusively the domain of 12-year-old boys, and a hard pass for everyone else. It’s hard to imagine anyone clamoring for more zombie content these…
Chasing Dream Johnnie To’s Chasing Dream is a return in more ways than one. An earnest romance between an MMA fighter, Tiger (Jacky Heung), and…
It’s a bad sign that the only person attempting anything in The Tax Collector is also delivering a racist caricature as performance. David Ayer isn’t…