On September 27, 2014, the CW Network cut animation out of their Saturday morning bloc. They were the last network to do so. It was…
Samurai Marathon, NYAFF’s opening night film, is a rather odd bird. It’s a Japanese jidaigeki period-piece from British director Bernard Rose (Candyman, Immortal Beloved) and…
Since being plucked from relative obscurity by uber-producer Kevin Feige, the Russo brothers, Joe and Anthony, have become two of the most commercially successful directors…
My wife and two children have been at home since March 14th. I worked until the 17th, as my company waffled back and forth over…
Karim Moussaoui’s Until the Birds Return boasts a multi-narrative, ensemble structure, weaving between the lives of three modestly connected sets of characters. The film’s focus is on the subjects’…
Notionally, Blood Quantum works. Conceived in the same think tank as Inglorious Basterds, Jeff Barnaby’s latest fuses zombic epidemia with issues of indigeneity, using both…
The first feature-length work from avant-garde filmmaker/animator/composer Jodie Mack defies easy categorization. The Grand Bizarre is a sort of musical (like her Yard Work Is…
Kelly Reichardt’s latest treads familiar thematic territory, but her minimalist leanings here lend toward something altogether more expansive. First Cow is a film of beginnings…
Bacurau’s initial promise of a raucous genre celebration ultimately devolves into a shallow approximation of those pleasures. There’s an undeniable sensuousness to the surfaces of Bacurau:…
In attempting to tackle topical material, Run This Town proves itself more part of the problem than the solution. Writer-director Ricky Tollman’s Run This Town purports…
Sorry We Missed You finds Ken Loach taking on the gig economy and the Sisyphean struggle it inflicts. For over fifty years now, Ken Loach has specialized in…
Extra Ordinary is a genuinely exciting debut that delivers a charming, standout comedic lead turn from Maeve Higgins. Writing-directing duo Mike Ahern and Enda Loughman and…
The Wild Goose Lake is a thrilling neon noir and incisive commentary on the degradation that comes with rapid economic boon. There’s a particularly pleasing synesthetic…
Heimat Is a Space in Time is a film of palpable gravity but one that may always be more meaningful to Heise than to audiences. Heimat…
Director Carlo Mirabella-Davis recalls such singular voices as Antonio Campos and Michael Haneke with the visually rich, metaphorical horror film Swallow. Like a lot of…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
After a six month delay resulting from various media outlets labelling the film, sight unseen, as “dangerous Liberal propaganda,” Craig Zobel’s horror-comedy The Hunt finally…
There is a lot wrong with Onward, Pixar’s highly uninspired 22nd feature film. Its most surprising fault, though, is its complete lack of detail. Sure,…
Our fourth (and tentatively final) dispatch from the 2020 Berlinale catches up with a pair of the festival’s biggest premieres (Cristi Puiu’s Malmkrog and Tsai…
Borrowing from J.G. Ballard’s metaphorical scaffolding — as outlined in the author’s social-horror novel, High-Rise (and its mismanaged film adaptation) — Galder Gaztelu-Urrutia’s conceptually similar,…