Anne at 13,000 Ft. keeps its familiar portrait of an unraveling psyche fresh through its viscerality and opaque characterization. Anne at 13,000 Ft. only occasionally utilizes…
Faya Dayi is the best kind of documentary, one that eschews prefab forms and instead finds mesmerizing beauty in the quotidian. Programmed as part of Sundance’s…
Mogul Mowgli doesn’t quite know how to weight its issues or manage its scant runtime, but Ahmed keeps things raw and poignant. Rather strangely, Bassam Tariq’s…
Sinkhole Nearly a decade after his previous feature, the 2012 big-budget disaster movie tentpole The Tower — South Korea’s very belated answer to The Towering…
Wild Indian suggests a possible fascinating study that it doesn’t follow through on, but it does add enough wrinkles and character nuance to remain mostly compelling.…
Vacation Friends feels like the umpteenth trip to the same tired destination. A film whose spec script has been kicking around Hollywood for so long that…
The Old Ways is a mid-budget genre gem with a few tricks up its sleeve to keep these fresh. Possessions and exorcisms have been a…
He’s All That is a lazy, purely nostalgia-driven dud that rehashes without imagination or innovation. The very real nostalgia that exists for 1999’s She’s All…
Bernard Rose’s 1992 film Candyman, freely adapted from a Clive Barker short story, is the tale of a white academic who inadvertently summons a murderous…
What We Left Unfinished never moves past the basic work of archivalism. 1921. 1989. 2021. The cycles of imperial superpowers invading, occupying, and summarily abandoning Afghanistan…
Whirlybird ultimately disappoints with its own kind of bland journalism. Charting the professional milestones and personal travails of Zoey Tur and Marika Gerrard, the dynamic partners…
American Sausage Standoff is even more asinine than its title suggests. The first question that must be asked of American Sausage Standoff has to be: what…
The minor miracle of Playing God is that it somewhat works despite its obviously stupid conceit. One would be forgiven for mistaking the new con artist dramedy…
Blood Conscious is a low-key horror charmer that mostly succeeds on the strength of its clever manipulations. Blood Conscious, the debut feature from writer-director-editor Timothy Covell,…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
Ninja Girl In a bleak, post-Trump reality wherein nationalist hogwash has pervaded casual discourse, Yû Irie’s Ninja Girl reflects the kind of right-minded rhetoric that…
Together is an endurance test for viewers and a self-satisfied pat on the back from the filmmakers. Stephen Daldry has become a bit of a punching…
The Show is an imperfect beast, but it’s beautiful and horrifying in a way only Alan Moore can concoct. Northampton has always been a strange place.…
Purple Sea is an arthouse trifle that merely effects the posture of serious cinema. In his 1975 book Notes on the Cinematographer, austere French director Robert…
The Sadness Canadian director Rob Jabbaz shot The Sadness, his debut feature, in Taiwan, with a fully Taiwanese cast and script that draws in broad…
Isabella is another bold effort from Piñeiro, and a indication of the direction his particular art is headed. Isabella, the latest feature from Argentine writer-director…