In a crowded field of sci-fi adaptations, the buzzy TV treatments of Octavia Butler’s Kindred and Emily St. John Mandel’s Station Eleven stand out. In…
Properly encircling modern spheres of film analysis and critical study, documentary ethics are unfurling through heated dialectical discourses, which seek to question the materialist functions…
Step back while reading Annie Ernaux’s autobiographical opus The Years, and you will find yourself pausing a survey of a collection of photographs. These still…
It takes a kind of charming naïveté these days to purport to represent the vagaries of sexuality onscreen without so much as a sideways glance…
Emancipation attempts, and mightily fails, to balance a film stodgy enough to play in a high school classroom with Hollywood’s typically rousing approach to historical epic…
Something from Tiffany’s isn’t much more substantive than your average holiday rom-com, but it’s leads are so likeable and its approach so breezy that it…
Even by James Cameron standards, The Way of Water is an astonishing work of pure visual spectacle. Bow down before your Lord and Savior, James…
It’s 2016 and Dana (Mallori Johnson), a 26-year-old woman who suddenly transplants from New York to Los Angeles with no job, no friends, and minimal…
Empire of Light is a misguided, overly aestheticized slog built upon mawkish sentimentality. Somewhere along the way in Sam Mendes’ Empire of Light, it becomes quite…
All the Beauty and the Bloodshed proceeds in such awe of its subject that it strips the film of any thorniness that the material demands. All…
Hidden Letters is a film as slight as the script it documents. Among the slighter entries in the Tribeca line-up is Violet Du Feng and Zhao…
Guillermo del Toro’s Pinocchio takes its well-worn titular tale and manages to make it feel fresh, despite a few incoherencies along the way. In what seems…
Taurus is ultimately too informed by MGK’s real-life persona and proves aimless as an attempt to contend with the great generational tragedy of its subject matter.…
One Fine Morning doesn’t stand out in Hansen-Løve’s filmography, but there’s enough here to suggest that it could resonate more fully in the long term. Stepping…
Darren Aronofsky’s The Whale boasts an interest back-to-his-roots quality, but also affirms all of the director’s worst tendencies. Although The Whale is an adaptation of the…
Violent Night isn’t nearly as nuts as it needed to be, regrettably boasting both a confused tone and bloated length. It’s been a whopping 34…
“Sr.” is complex and surprising in its construction, its focus at the crossroads of love and folly and the man who constantly put them on…
“A nation that doesn’t know its past, has a dull present and a future shrouded in fog.” So opens Alon Schwarz’s newest participatory documentary film,…
Bar Fight! manages the impressive feat of being entirely unfunny for the whole of its runtime. The graveyard of sitcom stars who attempted a move…
Lady Chatterley’s Lover makes the mistake of relying heavily on its source material’s action without understanding either its playfulness or seriousness. A Reader’s Digest gloss of…
Your Christmas or Mine? is a totally misguided holiday film with no emotional stakes or rooting interests to be found. Yuletide romance Your Christmas or Mine?…